While there are numerous feel-good films perfect for our time, Netflix’s latest drama, "The Devil All The Time," won’t serve as a mood-elevator.
The lingering imapcts of "Ready To Die" on hip-hop today are evident in current artists like Juice WRLD and Pop Smoke. Staff Writer Seamus Rohrer dives in to the album on during it's 26th anniversary month and offers commentary on Biggie Smalls' influence then and now.
When times get tougher, we could all use an escape — and reality TV might be the best one yet.
Christopher Nolan's "Tenet" finally hits theatres and it may be time I finally check myself into therapy.
“Lovecraft Country” is a tale of two horror shows, one infinitely better than the other.
“The Batman” teaser arrives — and we’ve got plenty to unpack in just two minutes of footage.
COVID-19 forces creatives to be unique in how they keep connected with fans and stay relevant in testing times.
Seth Rogen may be one of the most enjoyable comedians of our time to watch, yet his latest project is a set-back to his impressive resume that includes memorable roles in comedies such as “Knocked Up” and “This Is The End."
“Palm Springs” provides high-minded hilarity to the best romantic comedy of the new decade.
For "Old Guard," reaching millions of new homes and proving to be a major hit for Netflix is not enough to save this film from its overwhelming stupidity.
In the wake of recent protests over systemic racism and police brutality, the show has made headlines once again, as missteps made by Tina Fey and co are brought under the microscope.
"Da 5 Bloods," which follows four Black Vietnam War veterans returning to Vietnam in search of their deceased friends remains, is the kind of film that has so much energy and style that it becomes intoxicating at times.
Daily Cardinal contributing writer Philip Klinker discusses the portrayal of law enforcement on TV through the lens of two shows, "Justified" and "Law & Order," and why offering other perspective proves to be important.
Opinion Editors Sam Jones and Anupras Mohapatra discuss the essence of playlists during a time of distance, putting our connections to the test.
Alina Baraz’s "It Was Divine" shows unmitigated talent, proving her skill despite her comparatively short discography.
"The Platform" is a film that is so self-righteous and gives us an hour-and-a-half sermon on how capitalism is an evil force destroying our society without a touch of character development or riveting tension.
'Modern Love' provides a much needed break from the constant COVID-19 news reel and gives us a little extra TLC.
As the lights go down for local Madison venues, what comes next remains in question.
“Devs” on FX is the most interesting show of 2020 year so far — and it isn’t even fairly close.
Freshman Micaela Udell reflects on how her journalism studies helped her analyze the coronavirus coverage and the rapid changes in responses.
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