"Judas and The Black Messiah" is a movie that needs to be experienced to truly comprehend the gravitas behind the material and it could not come at a better time.
With 'Soul,' Pixar asks more of their viewers, as the characters display deep thought and emotion throughout the wild ride that illustrates essence of life.
While there’s no denying that Sam Levinson’s “Malcolm & Marie” looks good on screen, the director seems to think that the eye-catching imagery and his actors’ performances are enough to sway us.
"The Little Things," starring Jared Leto, Rami Malek, Denzel Washington, lacks originality and mimics the dull and current feeling of a repetitive reality.
“Crip Camp” tells the story of a camp for disabled children in upstate New York and how that camp inspired several disabled individuals to become leaders in the disability rights movement.
Margot Robbie reprises her role as the quirky DC character, who is dealing with a breakup from her ex-boyfriend, Joker, and an array of newfound enemies.
One of 2019s most emotional films, "Waves" is a pure human drama.
Gerwig, who directed one of the top movies of 2019, was not included on the all-male list of best director nominees.
The 92nd Academy Awards on Sunday will honor a remarkable year for motion pictures. Before the ceremony begins, here's a break down of who will most likely win and who was snubbed from each category.
‘Marriage Story’ features two of 2019’s very best performances in a film that falls short of greatness.
Eddie Murphy stars as entertainment icon Rudy Ray Moore in lazy Netflix film.
South Korean film “Parasite” invites you in and captivates your attention from start to finish.
The James Mangold directed “Ford v Ferrari,” starring Matt Damon and Christian Bale, is a heartwarming and entertaining film that everyone will enjoy.
“The King” — directed and co-written by David Michôd — is a film with absolutely nothing going for it.
Despite an ambitious attempt to explore the related topics of race, privilege and power, Onah fails miserably in “Luce” — a pretentious mess of a film that fails to captivate and strike a chord with the audience.