Elliot Poh

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‘The Tale of The Princess Kaguya’ is not your ordinary cartoon

For those of us who grew up with Studio Ghibli’s films, animation has always felt like a safe space. It was a portal to explore the troubled morality of the world without feeling trapped by it. Sure, bad guys do exist—be they big-nosed witches, tree-burning industrialists, or belligerent polities—but by the end they are always vanquished or revealed to be somewhat decent. If hope seemed faint, it would always return by the end.