Daily Cardinal contributing writer Philip Klinker discusses the portrayal of law enforcement on TV through the lens of two shows, "Justified" and "Law & Order," and why offering other perspective proves to be important.
Opinion Editors Sam Jones and Anupras Mohapatra discuss the essence of playlists during a time of distance, putting our connections to the test.
Alina Baraz’s "It Was Divine" shows unmitigated talent, proving her skill despite her comparatively short discography.
"The Platform" is a film that is so self-righteous and gives us an hour-and-a-half sermon on how capitalism is an evil force destroying our society without a touch of character development or riveting tension.
'Modern Love' provides a much needed break from the constant COVID-19 news reel and gives us a little extra TLC.
As the lights go down for local Madison venues, what comes next remains in question.
“Devs” on FX is the most interesting show of 2020 year so far — and it isn’t even fairly close.
Freshman Micaela Udell reflects on how her journalism studies helped her analyze the coronavirus coverage and the rapid changes in responses.
Pixar teaches yet another lesson worth learning in their new film 'Onward.'
Every Friday, great music hits the scene. Arts Editor Emily Knepple talks us through some highlights of the most recent music drop, including new music from 5SOS, Dua Lipa and more.
The Dixie Chicks are back with their first song in 14 years and it comes with little disappointment.
“Dave” is the slightly stupid, yet perfectly timed comedy series we need in the world right now.
The Weeknd returns with After Hours, proving to be exactly what the world needs in a moment of chaos.
Netflix brings "All The Bright Places" from book to movie in new remake starring Elle Fanning and Justice Smith.
Railroad Earth brought just the type of musical versatility they advertise during their show at The Sylvee on March 5.
Obviously a comedy sketch show that is over 40 years-old is going to go through its highs and lows but recently I came to the realization that SNL doesn’t seem to know what it is anymore.
Theo Katzman creates personal connection during show at the Majestic Theatre last Sunday.
Staff writer Shannon McManus spoke to The Revivalists' saxophonist, Rob Ingraham, ahead of their show at The Sylvee on March 11.
Theo Katzman talks music, performing at big and small venues and more ahead of his show at the Majestic Theatre on Sunday, March 8.
In the second piece of the “Evolving Inclusivity” series, we discuss how white feminism proves both integral and problematic to the world of television.
Read on Issuu
Solutions by The State News
