Windshield Wipers
Somewhere in my mind, in dark corners
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Somewhere in my mind, in dark corners
After shaking up Broadway with her carefully crafted lyricism of “Waitress,” Sara Bareilles is back to her roots. And she has some things to say.
When the seven members of the Madison Metropolitan School Board gather to discuss their plans for the future after the April 2 election, there will be one noticeable change — everyone seated at the table will be a woman.
In the ethos of modern American politics, a veneer of revolutionary calls for global climate change has simmered to the lid of the nation’s policy reformist cause. With that, youth activists have swarmed themselves behind the charisma of Alexandria Ocasio-Cortez, the freshman congresswoman representing New York’s 14th district, who, as of late, has been headlining the country’s surging push toward clean energy. Her highly controversial Green New Deal — a ground-shaking proposal that pushes to implement decarbonization nationwide — has created disdain among those opposed to the legislative resolution. The proposal would eviscerate the United States’ dependency on non-renewable fuel sources in a mere twelve years, with the helping hand of unwarranted massive government intervention. Supporters, conversely, are caught up in the cause of being flag-bearers for planetary salvage, and preventing mankind from further entrenching itself in the destruction of Earth. Similar in being rebellion-laden, the opening title sequence to the mid-2000’s sitcom "Malcolm in the Middle" often was met with an onslaught of head-banging, punk teenagers blaring the cacophonous lyrics, “YOU’RE NOT THE BOSS OF ME, NOW!” so loud that the speakers themselves probably just about went deaf afterwards. The mantra became a coalescent force for these adolescent pugilists to unite under as they partook in the viewing pleasure of one of television’s dingiest, yet most uplifting series to hit the airwaves. With the amalgamation of the show’s ‘f-you’ overtone and the resilience that encapsulates the juvenile experience, the theme song let viewers know that they were about to partake in a twenty-minute bombardment of pure teenage rebellion and chaos. This musical decree, titled “Boss of Me,” served as the battle cry for the wonderful show, and to this day resonates in the backdoor of its former, now-grown fans’ urge for mutiny. Ocasio-Cortez expertly reinvigorated that call for mutinous disdain, as seen through her retort of “I’m the boss — how about that?” to skeptics of the Green New Deal, who pointed to the bulldozing of the nation’s economy and infrastructure that would be necessary in implementing such a disparate plan. Much like Malcolm’s recurring tone of defiance and refusal to capitulate to society’s expectations, Ocasio-Cortez too has shown her inner rebelliousness, as seen through the wailing and complaining that unfolded in her fiery responses to conservative and liberal pundits that continue to rip her manifesto to shreds. All being said, though, her ego far supersedes that of the make-believe characters from the fictional comedy — so much so that her bloated persona would be buoyant enough to float a raft of ten William Howard Tafts down the Mississippi without breaking a sweat.
Alleging unequal pay and opportunity along with a hostile work environment for female doctors, a UW Health anesthesiologist sued the former head of her department and the UW System Board of Regents.
A white teacher accused of attacking his 11-year-old black female student last month will not face charges, a county attorney ruled Monday.
Cries of outrage echoed through the Madison Board of Education meeting room as a passionate crowd of students, parents, faculty and community members listed their concerns about racism in schools and listened to board members discuss funding yesterday.
Sagashus T. Levingston’s story is anything but ordinary. She is a mother of six, an award-winning author and a public speaker. She has a Ph.D. from the Department of English at UW-Madison. She has lived through poverty, trials and triumphs. She is an artist, and her pursuit of advocacy and scholarship culminates in her 2017 book “Infamous Mothers.”
From the moment she stepped on the ice for Wisconsin in October 2013, Ann-Renée Desbiens played like one of the best goaltenders in the world.
NASTY is branded across my forehead
Ariana Grande ended 2018 as the most relevant pop star and for good reason. Grande released her fifth studio album, thank u, next, just over five months after the well-received Sweetener. She experienced astounding commercial success, all while crafting her unique brand and reviving pop through heavy EDM, R&B and hip-hop influence.
there are so many things i want to tell you
A series of unexplainable events indicate that the Founding Fathers sense foul play in the District of Columbia.
A UW-Madison plastic surgeon was accused of sexual exploitation and medical negligence in a lawsuit filed Friday by a female patient who underwent cosmetic surgery procedures last year.
Tai Strickland has always been the son of a household name.
Filmmaker Barry Jenkins received both critical acclaim and numerous awards including Best Picture at the Academy Awards for his 2016 film “Moonlight," an intimate and poetic exploration of one man’s alienation and struggle in a society he feels drowned in. Jenkins’ next film follows a completely different style, yet a similar theme. Based on the 1974 novel by James Baldwin, “If Beale Street Could Talk” has its heart in the right place the entire time, overall achieving what it sets out to do, yet struggles to execute its mission to its best ability.
A boy living on my floor freshman year laughed as his friend called him “retarded” for missing the point to his joke.
“Spider-Man” for PS4 comes out the gate in the midst of the superhero craze, and it makes for an incredible experience. Being the first “Spider-Man” console game in nearly five years, there were high expectations for the web-slinger’s latest entry. Thankfully, I’m happy to say that many expectations were met and then shattered over the course of this game. An effective way to see the quality of the title is through its narrative. I’ve never been as engaged with a story in gaming as much as this one, as it felt like I was actually playing through a Marvel movie — action and all. As for gameplay, the leveling system encourages exploration, which is thankfully a joy to do. Simply swinging from building to building, doing tricks and exploring New York City is addictive, and it’s exactly what Spider-Man is all about, putting the player into the hero’s shoes even further. Combat — being another important system of the game — is done creatively and effectively, giving a wide array of options and freedom in how to tackle the bad guys. Different suits and gadgets allow for hundreds of combinations and strategies, making for the most customizable “Spider-Man” game ever. If I was able to choose sequels for games from this year, “Spider-Man” effortlessly makes the list: It’s a must-have from 2018. -Kyle Engels
I've cried because of hurt
Northern Wisconsin has a low tolerance for fragility, both of structure and spirit. In a region characterized by dense forests and cruel winters, it should come as no surprise that the locals are as tough and eccentric as the environment in which they grew. New Auburn, Wisconsin is no exception. In his 2001 bestselling memoir, “Population: 485- Meeting Your Neighbors One Siren at a Time,” Michael Perry catalogs the quirks of this tiny, northern village while reminiscing on his time spent serving on its volunteer fire department. Perry was raised on a farm in New Auburn, and his roots are evident from the beginning. He describes his hometown much in the same way that one would refer to a wacky family member — with the utmost love and affection, but also with a complete awareness of its faults.