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Sunday, June 23, 2024

Christian Memmo


Netflix film 'Velvet Buzzsaw' fine but falls flat

As I comb through the marketing (or lack thereof) in the wake of viewing “Velvet Buzzsaw,” I’m repeatedly confounded by director Dan Gilroy’s quasi-epithetic obsession as the creator of the fantastic 2014 neo-noir “Nightcrawler". While “Nightcrawler” knows exactly what it is in both grounded characterization and sensical narrative progression, “Velvet Buzzsaw” is a gross juxtaposition to such competency. 


‘The Firm’ is exciting, memorable, engaging

Well, folks, Fall has reached its peak seasonal swing. The leaves have shifted from the lush greens to a deciduous melting pot of auburns, oranges and yellows; humidity recedes into memory as the overwhelming musk of the overcast, rainy woodland sweeps into Madison’s concrete jungle; pumpkins, gourds and an infinity of novelty lattes and doughnuts flood the coffee shops and bakeries of State Street, and so much more.


Genre chameleons: Directors who dive into different flavors of film

Earlier this month, John Krasinski’s “A Quiet Place” was released on home media. Its basic premise — a family living in taciturn paranoia among creatures who hunt via sound — was enough to pique my interest during its initial run in theaters. The film received immense critical and commercial success, reaping its budget tenfold and numerous voices calling it one of the best horror movies in years.

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