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Thursday, April 25, 2024

Amos Posner


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News

Honorable Mention - Justin Timberlake

Someone had to make pop music suck less. That someone was Justin Timberlake. Though he first emerged with 'N Sync in the middle of American music's darkest hour, the kid grew up, and so did his music. Debuting his first single, ""Like I Love You,"" at the 2002 MTV Video Music Awards, a grimmer future seemed to be on the horizon. Donning a hat and gloves, delivering a deathly serious performance full of dance breaks and falsettos, his solo career seemed doomed to be more of the same old crap—a dime-store Michael Jackson for teeny boppers. But Timberlake hit his stride quickly.  He honed his vocal skills. He forged relationships with strong producers. While the Neptunes produced that disappointing first single, they also produced ""Rock Your Body,"" one of the best pure pop songs of the decade. Working with Timbaland led to two of the best scorned lover songs of recent years in ""Cry Me a River"" and ""What Goes Around ... / ... Comes Around."" He also developed a great public sense of humor about himself. In an era of humorless A-Listers like Kanye and Bono, Timberlake instead became the only must-see ""Saturday Night Live"" host of his generation. It's easier to get away with saying you're bringing sexy back if you're willing to follow it up with ""Dick in a Box."" It has allowed him to become his own persona and make a cultural imprint beyond his music (well, that and showing us half of Janet Jackson's rack).

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News

Honorable Mention - Eels

If greatness were measured by sheer volume of output, Eels would be right up there with Weezer and Frank Black in topping this list. But Mark Oliver Everett (better known as E) and his revolving door of collaborators really belong in this pantheon for one extraordinary accomplishment. Eels emerged in 1996 with the post-grunge-friendly hit ""Novocaine for the Soul"" and reached their critical peak with 1998's Electro-Shock Blues. But it was 2005's double-album Blinking Lights and Other Revelations that fulfilled the potential of an underrated songwriter and recording artist. Years in the making, the often-downbeat album is more than a one-note ""Woe is me."" The content covers a lot of ground, from the wounded but upbeat love letter to the world of ""Hey Man (Now You're Really Living)"" to the morose confessions of  ""I'm Going to Stop Pretending That I Didn't Break Your Heart"" to the whimsical love song ""Sweet Li'l Thing."" The same is true of the music, with sparse, piano-only songs rubbing elbows with elaborately atmospheric productions. With 33 tracks of different sounds and material including diverse collaborators like Tom Waits and the Lovin' Spoonful's John Sebastian, the album feels cohesive nonetheless and is almost never slowed down by the filler and repetition that normally plagues double albums. Eels released six albums this decade, and perhaps Blinking Lights is the outlying work from an uneven and merely good band. But few artists have put forth that kind of greatness in the new millennium.

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News

Honorable Mention - Andrew W.K.

He likes to party. That's an easy and totally accurate way to describe Andrew W.K. But the full truth of the man as an artist and performer is delightfully layered. After all, it's hard to define a guy who combines his classically trained piano skills with his love of heavy metal and Max Martin's productions of Backstreet Boys music. How many artists would hit themselves in the face with a brick for their album cover photo? How many artists can go from Ozzfest to the motivational speaking circuit? How many artists' debut albums could feature songs called ""It's Time to Party,"" ""Party Hard,"" and ""Party Til You Puke""? W.K. peaked with that anthemic first album, 2001's I Get Wet, as his follow-up, The Wolf, was redundant and disappointing. His most recent album, 55 Cadillac, is a collection of car-themed piano instrumentals. But as a man who really knows his way around music and studio recording and is hell-bent on making party music, and as an energetic performer so fiercely affectionate to his fans that he famously signed autographs from the ambulance after breaking his foot onstage, he is easily among the most interesting and memorable artists of the decade. Party hard, Andrew W.K.

Daily Cardinal
NEWS

How to pace yourself

The Mifflin Street Block Party is the best opportunity of the year to see Madison's brightest people doing incredibly stupid things. The fact that people break laws in broad daylight, ' ¦'

Daily Cardinal
NEWS

'Interpreter' wastes potential

Take an Oscar-winning director. Throw in two Oscar-winning leading actors, both still in their prime. Give it a team of Academy-recognized screenwriters, a huge budget and permission to shoot at ' ¦'

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