“Call of Duty: WWII” is a return to the series’ historic setting and “boots on the ground” gameplay. In some ways it succeeds, but the final product is a jack of all trades rather than a quality experience throughout.
This week, let's focus on outcasts. Everybody loves a good comeback story, rooting for the underdogs, David over Goliath, etc.
Over the weekend, Jidenna dropped a surprise EP titled Boomerang. Some may remember the billboard-charting, electro R&B hit, “Classic Man” from 2015. Since then, Jidenna has pushed out some great work and performed at a slew of festivals, including this past summer’s Lollapalooza in Chicago. Fans of the Netflix show Luke Cage will likely remember Jidenna’s appearance with his stellar performance of the melodic single, “Long Live The Chief.”
Every Thursday night at 11 p.m., a slew of new albums pop up on music streaming services on phones across the country.
It is quite rare to see a film franchise completely reinvigorate a character without disappointing fans of the original.
Kamasi Washington, a California based jazz saxophonist and composer, and his phenomenal band enchanted Madison with a beautiful performance of classic jazz woven into an aura of experimentation and spirituality.
“Wolfenstein II: The New Colossus” is one of those special sequels that is given the mission of expanding a stand-alone piece of art into a multi-installment franchise.
The last time Foo Fighters played in Madison, George W. Bush was president, “Brokeback Mountain” won film of the year and I was somewhere navigating middle school.
Norwegian black metal moguls Mayhem put on a dramatic exhibit at the Majestic Theatre Tuesday night, playing the entirety of their highly influential 1994 debut album, De Mysteriis Dom Sathanas. Known for using pseudonyms for their stage aliases, the active lineup featured one founding member, bassist Necrobutcher, who was absent from the group during the record’s production.
As some of our favorite shows are winding down to an end, Showtime has stepped up to fill in the gaps.
The people — mostly women — that filled the Barrymore Theatre wall-to-wall on Sunday night collectively doubled over for two hours when Ilana Glazer compared her HPV to Britney Spears and Phoebe Robinson detailed the ins and outs of eating fried chicken in front of her boyfriend for the first time.
Rapper Big K.R.I.T. dropped a compelling and unapologetically southern double album that might just walk away as the best album to emerge this fall season.
Kygo released his new album, Kids in Love, Nov. 3 after teasing with several singles throughout the year.
The Forward Theater Company kicked off its ninth annual season with Lauren Gunderson’s “I and You” at the Overture Center’s Playhouse Theater. The play opened on Thursday, Nov. 2 and will run until Nov. 19 and, trust me, this is a show you do not want to miss.
“I’ve got a question,” said Amy Goldstein, veteran Washington Post staffer and the writer of “Janesville: An American Story.” She paused and pulled back her frizzy red hair, scanning the book festival audience from a pedestal at the Madison Public Library. Her book is about the closure of Janesville’s General Motors plant, but nobody in the crowd was wearing steel-toed boots or worn-in work pants; it was more of a sneaker and wool sweater affair — an assortment of Madison professionals. She asked her question anyway: “How many of you here have some connection to Janesville and the plant?” Dozens of hands proudly shot up.
Over the weekend, various theaters on the Madison campus played a part in the sixth annual “Tales from Planet Earth” film festival, aiming to bring concepts, concerns and discussion on the environment to movies — perhaps one of the most publicly accessible mediums of the modern age.
I was introduced to Slowdive by a close friend on a road trip more than two years ago. Zigzagging through the dry hills of southern California in May, I was intrigued by the group’s mellow psychedelia. My occasional listening and modest fanhood provided a gateway into the shoegaze genre, but my expectations for their live act were inadequate. Witnessing their profound showcase served to reinforce the value of seeing live music.
Last year, “Stranger Things” was the unexpected frontrunner of the entire TV industry. Relying mostly on word-of-mouth and Netflix’s algorithm, it catapulted into fame without much of a marketing push, which is a true testament to just how good it was.
When Mario was first introduced as Jumpman in 1981’s “Donkey Kong,” video games were in a much different landscape.
“Words and pictures are yin and yang. Married, they produce a progeny more interesting than either parent.” ? Dr. Seuss The signs call out from under forgotten awnings or run-down strip malls.
Read on Issuu
Solutions by The State News
