A scientific paper detailing detection methods of dark matter and words like electrons, neutrinos and muons thrown about—these are things expected in a physics lecture or in the office of a physics professor at UW-Madison, but perhaps not at all expected in a local Madison art gallery.
Spider-Man feels like one of those series that’s never quite going to get it right — one that always passes the bar for greatness, swings effortlessly around the barrier for excellence, but stops short just a half inch of being 100 percent coherent.
After a rough ending to 2017, Eminem’s latest move is to fight fire with fire. After the publically and critically panned release of Revival, Eminem is back with the no-holds-barred Kamikaze, released as a surprise at the end of August.
Many famous comedians will be performing in Madison this fall, including those who have had specials on Comedy Central and Netflix — here are just a handful of them.
Madison is a hub of culture when it comes to the arts — concerts, art shows and poetry slams can be found every weekend. Few realize, however, that Madison also hosts dozens of theater performances, from Broadway tours to local productions. Here’s your guide for what to keep an eye out for this fall.
I feel it’s necessary to preface all this by admitting that, as a man who plays a lot of games, I’m not the type of person to anticipate new releases. Games are just too expensive of a hobby, and getting caught up in hype trains all the time is a quick and reliable way to lose your shirt. If I didn’t write this column, I’d never pick up a game the first day it was out. With the exception of Nintendo and a few particularly smart indie game developers, every company drops the price of their games drastically a few months after release.
Imagine, if you will, that the year is 2001. You sit in the theater and watch the credits roll following a showing of the new hit animated film “Shrek.” Tears are streaming down your face.
Lollapalooza may have been a little over a week ago, but I’m still reflecting on the impressive, hot weekend.
Following a stereotypical summer of big-budget blockbusters that satisfy the masses and empty our wallets, it’s time to shift our gaze toward a few of the more audacious stories that hope to impress during this upcoming fall semester. These five films have potential to be the perfect escape to the theater for all students struggling to readjust to college life.
Travis Scott, hip-hop’s most popular AutoTune crooner, returns with ASTROWORLD, and he’s locked and loaded with dark beats and bars.
The Academy Awards is something near and dear to my heart. I watch it every year, eagerly consuming articles, talk shows and general awards buzz to help make my predictions for who will take home Hollywood’s most prestigious prize. It’s my Super Bowl, and I love every second of it.
After three years, LANY returned to Lollapalooza — only this time they were bigger and better than ever.
I typically listen to The National while writing, like right now, letting lead vocalist Matt Berninger’s baritone lull me into focus in the background. At their performance last Tuesday, though, Berninger pulled me into his show, his intensity tangible as he sang like he was sharing the song with the person it’s about for the first time.
Each year the Windy City’s largest music festival brings together young, trendy artists and old favorites to flood the grounds of Grant Park.
Pitchfork Music Festival goers expected the worst, their eyes watching gray clouds roll in as they flocked to Chicago’s Union Park, armed with rain ponchos and umbrellas.
![From "The Office" to "A Quiet Place," John Krasinski is a recent example of someone who has achieved success in multiple genres [and mediums].](https://snworksceo.imgix.net/car/89a01b4e-a6a4-449f-a2ba-c9daf3489815.sized-1000x1000.jpg?w=1500&ar=4%3A3&fit=crop&crop=faces&facepad=3&auto=format)
Earlier this month, John Krasinski’s “A Quiet Place” was released on home media. Its basic premise — a family living in taciturn paranoia among creatures who hunt via sound — was enough to pique my interest during its initial run in theaters. The film received immense critical and commercial success, reaping its budget tenfold and numerous voices calling it one of the best horror movies in years.
When we discuss the coming-of-age style of storytelling, a dominant preconception of what that entails enters our minds: typically, a vision of young adults — perhaps 18 to 21 years old — as they cross the threshold of adolescence into the larger world beyond the formulaic suburbia. Dwindling friendships, sporadic emotions and an intense pressure from the unknown are common components these stories use to empathize with us viewers, who have experienced some or all of these emotions at one point. In the American education system, the 18-21 range is prime real estate for the subgenre, as the shift from secondary to higher education is inducive to these anxieties.
Three days and three stages are required to make the time and space needed for the big names and massive spectacle expected at Chicago’s Pitchfork Music Festival. The festival’s lineup spans across genre spectrums, from indie folk to 90s-influenced hip-swaying pop, yet works superbly all together, the best combination of spices to a dish.
“IV is the sum of the I, II, and III.” That was the driving thought behind the fourth installment of the Eaux Claires music festival according to the festival’s homepage. In years past, co-creators Justin Vernon and Aaron Dessner have used the weekend in the woods to shine a light on emerging artists and give fans the opportunity to see influential artists of a massive scale.
The topic of familial estrangement is hardly new to the impetus of the narrative arc. In particular recency, plenty of wonderfully made films have explored this idea with a fluid blend of dramatic tension and character development: “Lady Bird,” “I, Tonya,” “Birdman” and perhaps even “Swiss Army Man,” to a degree. The respective character internalizes that emotional severance as a means of either reconciliation or maturation, offering a relatable and believable drive.
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