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Friday, September 05, 2025

Arts

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ARTS

Amidst challenges within the industry, ‘Siege’ a solid contribution

Well, I had a piece planned on “Rainbow Six: Siege” for this week — a little thinkpiece about the whole ‘games as a service’ trend and how “Siege” has managed to both stumble into that model and sidestep the worst parts of it. But after the Activision-Blizzard layoffs, it just feels disingenuous to talk about anything other than the weird, terrible ways this industry is run and the ways it could be better. 


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ARTS

'Electric Lady Sessions' is intelligent, refreshing live album

At the time of the Electric Lady Studios’ founding, it was the only artist-owned studio in existence, built by and for the one and only Jimi Hendrix. He only got to use the space for a few weeks before his untimely passing. Dance-punk act LCD Soundsystem has added their name to the legendary studio’s list of inhabitants. On Feb. 8 of this year, Electric Lady Sessions was released. A concise and groovy collection of their own hits and three covers, LCD Soundsystem’s latest release is a rewarding live album.


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ARTS

Aglow and alive, Hippie Sabotage electrifies Madison

Hippie Sabotage, the EDM duo consisting of brothers Kevin and Jeff Saurer, infected the Sylvee last Wednesday with one killer jam sesh. As someone who doesn’t frequently indulge in EDM and rave culture, this concert was a really interesting step into that world. 


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ARTS

Rainbow Kitten Surprise serves up mellow Monday soul food at the Sylvee

As I rushed to the Rainbow Kitten Surprise concert at the Sylvee this past Monday night, I had high expectations after their gig at Majestic Theatre last year, which was full of head-bang worthy rock-inspired renditions of their classics and an intimate feel despite Sam Melo’s overwhelmingly energetic stage presence. However, this show was quite different from the last time I saw RKS — mellow undertones dominated, and I felt as though I was digging into a giant, steaming bowl of soul food during their set. 


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ARTS

‘thank u, next’ is spectacularly honest, celebration of self-love

Ariana Grande ended 2018 as the most relevant pop star and for good reason. Grande released her fifth studio album, thank u, next, just over five months after the well-received Sweetener. She experienced astounding commercial success, all while crafting her unique brand and reviving pop through heavy EDM, R&B, and hip-hop influence. Following an aggressive year of personal relationships in the spotlight, Grande hinted she’d been healing in the studio. She released three singles — one, of course, the infamous title track “thank u, next” and its iconic accompanying video — in anticipation of the album. 


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ARTS

McCarthy shows off acting range in 'Can You Ever Forgive Me?'

Although Melissa McCarthy is best known for her unfiltered, aggressive and outright hilarious performances (“Bridesmaids”, “The Heat”), it’s clearly evident that this comedic genius is quite capable of tackling dramatic, darkly comedic roles as well. Such is the case in “Can You Ever Forgive Me?” from director Marielle Heller, a rather different kind of film that can best be described as pleasantly enjoyable. 


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ARTS

Netflix film 'Velvet Buzzsaw' fine but falls flat

As I comb through the marketing (or lack thereof) in the wake of viewing “Velvet Buzzsaw,” I’m repeatedly confounded by director Dan Gilroy’s quasi-epithetic obsession as the creator of the fantastic 2014 neo-noir “Nightcrawler". While “Nightcrawler” knows exactly what it is in both grounded characterization and sensical narrative progression, “Velvet Buzzsaw” is a gross juxtaposition to such competency. 



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