Inspiration is a key component to the development of music. Aspired youngsters have always taken to their instruments and tried replicating the songs of their heroes. A small handful will be successful in recreating that sound and, in some cases, will take the next step of making a sound of their own. Cotillon’s self-titled debut delivers an assortment of tunes and styles, served with modern flavor while simultaneously remaining bound by its musical influences, reflecting the history that gave lead man Jordan Corso his inspiration as a musician.
Cotillon does a brilliant job of blending old-school and new-school rock, emitting waves of nostalgia, while continuing to sound fresh and bold. Each song reveals a little bit more about Corso and the musical background he’s integrated into his own style. The first half of “Asteroid” is contained within a hypnotically simple guitar rhythm, accompanied by similarly rhythmic spoken word. This section borrows from one of rock’s most popular riffs, made famous by Bo Diddley, and later popularized in George Thorogood’s “Bad to the Bone.” “Holding You Back” comes straight out of the ;80s heartland rock scene, akin to a John Mellencamp or Bruce Springsteen melody. The addition of an organ and saxophone in “Call Me Up” is a nod itself to classic rock legends and their adamant use of these non-traditional instruments.
Corso’s added flair helps modernize Cotillon, helping deter it from sounding like rehashed material. “Infection” is fast paced and reckless, replicating a genuine punk rock aura, until a sudden change of pace turns the once rowdy anthem into a psychedelic daydream of echoing vocals and guitars.
There is much to be appreciated from Cotillon’s debut. It’s a treat for listeners with a firm grasp of history, but should be equally enjoyed by those with contemporary preferences.
Rating: B+
