'Argo' inaccurately downplays American interventionism
By By Jon Vruwink | Feb. 28, 2013Ben Affleck’s “Argo” took home the prize for Best Picture at the Oscars on Sunday night. While I am pleased “Zero Dark Thirty,” Kathryn Bigelow’s film falsely portraying torture as central to uncovering Osama bin Laden’s hideout, went home virtually empty-handed, Affleck’s film likewise comes packed with ideological baggage. Namely, “Argo” peddles in the same old Orientalist tropes long prevalent in Hollywood: bearded, wild-eyed, raging Iranians incomprehensibly attempting to inflict harm on benevolent, good-hearted Americans. Such a Manichean portrayal does no service at a time when understanding, not demonization, is required to avoid future fiascoes in the Middle East.



