COIN put on an electrifying show last Sunday at the Majestic to an enthusiastic crowd comprised of both college students and community members.
When I think of Frankie Cosmos, I think of simplistic happiness and honesty, which is exactly what the Sunday night show at High Noon Saloon embodied.
As a horde of people crowded into the High Noon Saloon on Thursday night, it became quite clear that the night would be filled with sincere appreciation for the music. I soon found myself completely surrounded by denim-shirt-wearing, Pabst-Blue-Ribbon-holding music fanatics.
To say Magic City Hippies’ indie funk music is infectious to dance to is an understatement. Every member in the audience was up and dancing in Union South, from college kids to a 50-year old lady in the back.
A palpable nostalgia floated like mist outside the ticket gates of Breese Stevens Field before the Modest Mouse concert that took place this past Saturday. The long, sunny shadows and slight autumnal breeze set the perfect mood for the last concert of Breese Stevens’ summer season.
A sustained air of anticipation filled Overture Hall on Saturday night where, mere feet from the stage, jazz legend Wynton Marsalis and the Lincoln Center Jazz Orchestra (JLCO) tuned and tested an array of iconic orchestral elements.
The only person who could possibly feel themselves while wearing a sweater in the balmy heat of this confused Wisconsin weather is none other than empowering Midwest-raised rapper, Lizzo. Entering the stage wearing a fuzzy red heart on her chest, she went full-force from the beginning to end of her set, belting near-flawless anthems of feminism and body positivity.
To put it simply, Los Angeles bassist Thundercat is a bizarre human being. From his lyrics to his clothes, he is the embodiment of embracing the unconventional.
While preparing for a jog, one stretches their muscles and warms up. During Spoon’s concert on Thursday, it felt as though both the audience and the band were in a constant state of anticipation, slowly tying their sneaker laces before finding that endorphin-releasing energy experienced at concerts.
I was 17 years old and had just discovered the worlds around me. At the time, my grandmother’s home felt a little uneven; it was El Salvador, after all.
As the first major concert of the semester, Foster the People’s sold-out show at the Orpheum was a triumphant success.
It was a typical end-of-summer night at the Terrace, a slight chill in the air as stars rose above Lake Mendota, beer flowed from pitchers and a crowd of people bounced to the sounds of a groovy flute and song lyrics about amusement park rides. New Orleans-based band Tank and the Bangas poured their infectious energy over the crowd and kept them moving along with the rhythms of their jazz-gospel-funk-soul-infused jams.
Madison has finally returned to its lively state as the 2017 fall semester begins for thousands of UW-Madison students. Along with the start of the semester comes the start of an even more exciting time: fall concerts. Pulling from upcoming events held across the city at classic Madison venues, here is a semi-comprehensive list of some of the must-see shows for the first half of the semester:
Since 2006, Freakfest has been a staple for Halloween celebrations in Madison. 2017 marks the 10-year anniversary of the festival’s musical showcase.
Folk artists Gregory Alan Isakov and Blind Pilot teamed up Tuesday to serenade a small but packed Capitol Theater.
To open the show, Waxahatchee lead vocalist Katie Crutchfield belted “I was losing my mind, I was dancing with death” from the band’s tune “Recite Remorse.” Although the packed crowd wasn’t dancing with death, the jams caused everyone to let their minds run rampant and sway freely to the thick drum beats and impressive vocal harmonies from the five-piece band. The indie rock group visited High Noon Saloon on Thursday as part of their tour to promote their newest album, Out in the Storm, which was released just last week.
In its third year, the Wisconsin-based music festival Eaux Claires continued its tradition of bringing together artists from across the world for a slew of astonishing live performances.
Following a red woodchip path into the Eaux Claires Music and Arts Festival, one becomes enveloped into an enchanting wonderland completely separate from that of the surrounding town.
Milwaukee-based band Field Report opened for the energetic and always-boisterous Sylvan Esso Wednesday night, part of a two-night event at the Majestic.
The Daily Cardinal is heading to Eau Claire on June 16 and 17 to cover this year’s Eaux Claires Music & Arts Festival.
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