In a dizzying and intense performance, Portugal. The Man rocked the sold-out Overture Center Sunday night.
We all have that one relative: the scruffy-looking type who keeps to themselves at family gatherings and clearly doesn’t want to be there.
While sporting flannels and hoodies, the hip musicians of Whitney transported audiences away from the thick air of the Majestic Theatre.
The premature cold breezing through Madison seemed to subside as hip hop artist Noname graced the stage with her warm spunk at the Majestic Theatre on Monday.
Louis the Child brought energy and positivity to their set at the Orpheum Friday night, with the end result being four hours of exceptional EDM. The first of three opening acts was Party Pupils, a Chicago-based house duo made up of singer Max and producer RyanEXOE.
Chicago-based rapper Noname — despite her stage name — clearly made a name for herself in Madison, because she will return to a local stage Monday for the third time within a year.
Kamasi Washington, a California based jazz saxophonist and composer, and his phenomenal band enchanted Madison with a beautiful performance of classic jazz woven into an aura of experimentation and spirituality.
The last time Foo Fighters played in Madison, George W. Bush was president, “Brokeback Mountain” won film of the year and I was somewhere navigating middle school.
Norwegian black metal moguls Mayhem put on a dramatic exhibit at the Majestic Theatre Tuesday night, playing the entirety of their highly influential 1994 debut album, De Mysteriis Dom Sathanas. Known for using pseudonyms for their stage aliases, the active lineup featured one founding member, bassist Necrobutcher, who was absent from the group during the record’s production.
I was introduced to Slowdive by a close friend on a road trip more than two years ago. Zigzagging through the dry hills of southern California in May, I was intrigued by the group’s mellow psychedelia. My occasional listening and modest fanhood provided a gateway into the shoegaze genre, but my expectations for their live act were inadequate. Witnessing their profound showcase served to reinforce the value of seeing live music.
For the moment, we see some connection between the beat and body. How easily it becomes repetitive to know where music will transition for quick appraisal.
The World Is a Beautiful Place & I Am No Longer Afraid to Die took the flannel-clad audience at High Noon Saloon for a nonlinear journey through sounds from the last 20 years.
A sea of heads fell forward and back rhythmically, worshipping the beat of the unrelenting crash cymbal.
The layout of Memorial Union’s Shannon Hall, the venue of Tanya Tagaq’s Madison concert, necessitated audience members to sit down, and so did her performance.
COIN put on an electrifying show last Sunday at the Majestic to an enthusiastic crowd comprised of both college students and community members.
When I think of Frankie Cosmos, I think of simplistic happiness and honesty, which is exactly what the Sunday night show at High Noon Saloon embodied.
As a horde of people crowded into the High Noon Saloon on Thursday night, it became quite clear that the night would be filled with sincere appreciation for the music. I soon found myself completely surrounded by denim-shirt-wearing, Pabst-Blue-Ribbon-holding music fanatics.
To say Magic City Hippies’ indie funk music is infectious to dance to is an understatement. Every member in the audience was up and dancing in Union South, from college kids to a 50-year old lady in the back.