One couldn’t help but think of the Disney classic “Beauty and the Beast” during singer-songwriter Natalie Prass’ High Noon set. She strutted around front stage, carrying all the sass music royalty needs, in a sparkling yellow dress, surrounded by her four-piece band donning dark blue button-ups and topped with fuzzy dark hair.
Concerts are the closest thing to church I attend. I’ve noticed this in the stories I’ve written about shows, almost always making comments like “I think *insert artist name here* and the heavenly lights were summoning me to the afterlife.”
Lollapalooza may have been a little over a week ago, but I’m still reflecting on the impressive, hot weekend.
After three years, LANY returned to Lollapalooza — only this time they were bigger and better than ever.
I typically listen to The National while writing, like right now, letting lead vocalist Matt Berninger’s baritone lull me into focus in the background. At their performance last Tuesday, though, Berninger pulled me into his show, his intensity tangible as he sang like he was sharing the song with the person it’s about for the first time.
Each year the Windy City’s largest music festival brings together young, trendy artists and old favorites to flood the grounds of Grant Park.
Pitchfork Music Festival goers expected the worst, their eyes watching gray clouds roll in as they flocked to Chicago’s Union Park, armed with rain ponchos and umbrellas.
“IV is the sum of the I, II, and III.” That was the driving thought behind the fourth installment of the Eaux Claires music festival according to the festival’s homepage. In years past, co-creators Justin Vernon and Aaron Dessner have used the weekend in the woods to shine a light on emerging artists and give fans the opportunity to see influential artists of a massive scale.
The ideal way to listen to indie pop band Men I Trust involves lying in the grass looking up at the sky as it shifts from blue to pink to purple during the sultry golden hour and then getting up and dancing — just you and your headphones.
On Tuesday, April 10, the Majestic Theatre on State Street turned the lights off and cranked the music up.
Vundabar has made their way to Madison on a national tour that’s taken them through California, Colorado and Florida, with an appearance at SXSW in Austin, Texas along the way.
Earth, Wind & Fire, arguably the most influential and prolific funk, disco, R&B and soul band of all time, performed at the Overture Center last Saturday, 49 years after the band’s creation.
Superheroes don’t always wear capes, or so the saying goes. Sometimes they blend into the black backdrop on a stage and cast their powers over a crowd through the vibrations of their guitar strings. Indie rock singer-songwriter Mitski radiated this power, her chin raised and legs placed firmly in a powerful stance, regal as she watched over her kingdom at the High Noon Saloon this past Thursday.
Expectations were high as I waited outside of the Orpheum Theater last Wednesday, excited to see what Mat Kearney would perform for his stop in Madison.
Declan McKenna first caught the world’s attention, and my own, for his 2015 hit, “Brazil.” The song was written in protest of the worldwide soccer organization, FIFA, and their awarding of the 2014 FIFA World Cup to Brazil.
Lorde kicked off her “Melodrama” North American tour in Milwaukee earlier this month with Tove Styrke and Run the Jewels.
Keys N Krates stole the stage last Wednesday at the Majestic with their classic trap bass and beats.
Judah & The Lion brought energy and positivity to the Orpheum last Tuesday night, but the openers were truly what made the performance memorable.
Vince Staples and Tyler, the Creator brought their North American tour to Madison this past Thursday, where each performed in front of a packed crowd at the Alliant Energy Center’s Exhibition Hall.
Most people know Walk the Moon from their acclaimed, overplayed pop hit “Shut and Dance.” If you don’t know the tune, you must have done a pretty good job at avoiding every radio station for the past four years. However, few are aware that “Shut Up and Dance,” though a relentlessly catchy tune, is not the band’s best song.
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Solutions by The State News
