Australian artist-to-watch Julia Jacklin is a fresh voice in the music industry—so fresh that she has yet to release her first album.
Both of the headlining acts of Revelry made the most out of a rough situation. The afternoon rain had given Madison a cold, damp grey hangover from the early-morning Mifflin festivities, and the Orpheum was the least habit- able place for those seeking refuge.
The first thing I see outside the venue of Fetty Wap’s concert is a blur of teenagers. I’m convinced that the rate of underage drinking at this concert is as high as the percentage of white students that attend UW-Madison.
Fans of any sort of music in 2015 were greeted to one of the best years for music genres to date.
It doesn’t seem too difficult a feat anymore for DJs, dubstep artists or electronic dance music creators to get a crowd to move with their rhythms and beats. It takes something more than just beats to transport people somewhere else though, or to introduce qualities that inspire more than just losing yourself to the music. ODESZA did that Nov. 22 in the Orpheum Theater, and they did so without ever losing the dreaminess that also accompanies their music.
Elephant Revival: It sounds like one of the many commonly obscure band names you hear every day, but their performance was far from common. While the “revival” half of the band’s name most likely refers to the folk-revival they embody, it took on a new meaning at the Majestic Friday night as their jovial romp revived a room of souls, once thought to be long-dead under the pressures of jobs and midterms.
This weekend has so much to offer Madison in the form of arts and entertainment.
Freakfest is one of the most anticipated and well-known weekends in Madison.
Freakfest is known for attracting creatures of all types through its gates.
Freakfest provides attendees with an insane variety of options in terms of music throughout the night.While packing yourself against the crowds at the top of State Street may allow you to see a big-name band, it’s the smaller stages that can invoke a stronger sense of community and connection with the performers.
Before I dive into a detailed breakdown of this weekend’s events at The Orpheum Theater, I’ll keep it short and offer this generalization: Man, oh man, the last few days were a great time to be a fan of dance music in Madison. The city’s jam junkies turned out Friday to see their revered heroes in Sound Tribe Sector 9 melt some faces and Saturday, it seemed, everyone in Madison came out for what has become something of a tradition in our city: Cherub’s yearly visit.
It was a crisp October evening in Madison; the leaves were beautiful and the weather was perfect for a warm sweater. I was feeling content, walking down the street towards the glowing sign of the Majestic Theater, visions of the concert to come being entertained in my imagination, as my friends and I enjoyed the warmth of our alcohol blankets. With a few ‘pardon mes’ and only a couple ‘watch it bubs,’ we made our way into a decent position and began to cheer as the lights dimmed. That’s when the crowd began to glow.
The Barrymore was alive with energy and as I approached the flashing sign from the sidewalk there was a line of chattering people winding out the door and a good 5 feet down the sidewalk.
YouTube favorites Igudesman & Joo brought their theatrical and musical mashups with a healthy dose of lunacy to the Overture Friday. Performing their new show “And Now Mozart,” violinist Aleksey Igudesman and pianist Hyung-Ki Joo graced Madison with what can only be described as a comic event that brought together the most unexpected genres of music and elements of theater. Trained as classical musicians from the wee age of 12, the two conquered many grand orchestras and symphonies before they concocted their currently trending madness on stage.
A mere two months after their first appearance in Madison, Family and Friends is returning to town.
State Street may have been dead Tuesday night, but the Majestic Theatre could not have been more alive as the New York City-based band DIIV took the stage. I stepped into the theater without expectation, having only heard of the band because they were playing at the Majestic. Not only was this my first experience with DIIV, it was my first experience in the theater itself. The venue provided an enclosed setting and as a result, I found myself fully immersed auditorily and visually within the spectacle onstage.
To some, music is a mission, with each chord dripping in politics and each bar directed at some critic’s praise or curse.
He’s already released two studio albums and 10 mixtapes.
It’s the weekend, so get your dancing shoes on; this week’s options includes ballroom, swing and even “Magic Mike.”
“I have done a thousand dreadful things, as willingly as one would kill a fly, and nothing grieves me heartily indeed, but that I cannot do ten thousand more.” These are the words Patrick Stickles reads over the mourning tones of “Fear and Loathing in Mahwah, NJ,” the folk-stomper-cum-punk-rocker that introduced Titus Andronicus to the world.
Read on Issuu
Solutions by The State News
