SXSW 2017: Noname, Anna Wise mesmerize while Wu-Tang Clan disappoints
By Logan Rude | Mar. 15, 2017With the music section of SXSW officially underway, musicians have already started bringing their A-game across the gorgeous city of Austin, Texas.
With the music section of SXSW officially underway, musicians have already started bringing their A-game across the gorgeous city of Austin, Texas.
Immediately as the four-piece band stepped onto the stage and dove into their set, you wouldn’t realize that The Griswolds’ indie rock beats originated 9,000 miles away in Sydney, Australia. This did not stop them from kicking off the night like it was 1999, as lead vocalist Chris Whitehall said.
Wednesday night, I think I may have stepped into a 1980’s high school dance scene in a John Hughes movie.
South By Southwest officially begins this weekend down in Austin, Texas. With a stacked lineup of artists, keynote speakers, films and television shows, SXSW is gearing up to be an amazing festival. The Daily Cardinal Arts staff will be flying down to cover the event, and here’s what they are most looking forward to:
The Head and the Heart returned to Madison this week to perform at the Orpheum for two nights. On Tuesday, I watched as both the balcony seating and general admission enjoyed a continuous influx of people all waiting in anticipation to see the indie band take to the stage.
In the final installment of Live From the Nest for the fall semester, Madison rapper Rich Robbins graced The Daily Cardinal office with strong bars in what he said was one of the most intimate performances he’s ever done.
At this point, after going to three of their shows in the past five months, seeing Porches is a ritual: Brush your teeth, go to work, do laundry, go see Porches.
Australian artist-to-watch Julia Jacklin is a fresh voice in the music industry—so fresh that she has yet to release her first album.
Both of the headlining acts of Revelry made the most out of a rough situation. The afternoon rain had given Madison a cold, damp grey hangover from the early-morning Mifflin festivities, and the Orpheum was the least habit- able place for those seeking refuge.
The first thing I see outside the venue of Fetty Wap’s concert is a blur of teenagers. I’m convinced that the rate of underage drinking at this concert is as high as the percentage of white students that attend UW-Madison.
Fans of any sort of music in 2015 were greeted to one of the best years for music genres to date.
It doesn’t seem too difficult a feat anymore for DJs, dubstep artists or electronic dance music creators to get a crowd to move with their rhythms and beats. It takes something more than just beats to transport people somewhere else though, or to introduce qualities that inspire more than just losing yourself to the music. ODESZA did that Nov. 22 in the Orpheum Theater, and they did so without ever losing the dreaminess that also accompanies their music.
Elephant Revival: It sounds like one of the many commonly obscure band names you hear every day, but their performance was far from common. While the “revival” half of the band’s name most likely refers to the folk-revival they embody, it took on a new meaning at the Majestic Friday night as their jovial romp revived a room of souls, once thought to be long-dead under the pressures of jobs and midterms.
This weekend has so much to offer Madison in the form of arts and entertainment.
Freakfest is one of the most anticipated and well-known weekends in Madison.
Freakfest is known for attracting creatures of all types through its gates.
Freakfest provides attendees with an insane variety of options in terms of music throughout the night.While packing yourself against the crowds at the top of State Street may allow you to see a big-name band, it’s the smaller stages that can invoke a stronger sense of community and connection with the performers.
Before I dive into a detailed breakdown of this weekend’s events at The Orpheum Theater, I’ll keep it short and offer this generalization: Man, oh man, the last few days were a great time to be a fan of dance music in Madison. The city’s jam junkies turned out Friday to see their revered heroes in Sound Tribe Sector 9 melt some faces and Saturday, it seemed, everyone in Madison came out for what has become something of a tradition in our city: Cherub’s yearly visit.
It was a crisp October evening in Madison; the leaves were beautiful and the weather was perfect for a warm sweater. I was feeling content, walking down the street towards the glowing sign of the Majestic Theater, visions of the concert to come being entertained in my imagination, as my friends and I enjoyed the warmth of our alcohol blankets. With a few ‘pardon mes’ and only a couple ‘watch it bubs,’ we made our way into a decent position and began to cheer as the lights dimmed. That’s when the crowd began to glow.
The Barrymore was alive with energy and as I approached the flashing sign from the sidewalk there was a line of chattering people winding out the door and a good 5 feet down the sidewalk.