Immediately as the four-piece band stepped onto the stage and dove into their set, you wouldn’t realize that The Griswolds’ indie rock beats originated 9,000 miles away in Sydney, Australia. This did not stop them from kicking off the night like it was 1999, as lead vocalist Chris Whitehall said.
Sunday night kicked off with “Atomic Blonde,” a film based on the graphic novel, “The Coldest City.” Set in Berlin before the collapse of the Berlin Wall, the film stars Charlize Theron as Lorraine Broughton, an MI6 agent who teams up with Berlin spy David Percival, played by James McAvoy, to take down a group of spies who assassinated an undercover agent.
On Sunday, James Franco premiered one of the wackiest comedies with “The Disaster Artist.” The film is inspired by the real-life 2003 independent film, “The Room,” that gained a massive cult following for being known as the worst film ever made.
Walking down State Street, it is easy to become distracted by the many flashing signs, cries from the street corners or the stunning view of the Capitol in the distance. Amidst all the clutter, tucked between the Asian Kitchen and Pita Pit, is Four-Star Video Cooperative.
Spring break is great because you can do a lot of great things during spring break: Break up with significant other Get back with significant other Spend time with high school friends Ignore high school friends Spend time with family Ignore family Sit alone watching Netflix, wondering if you should spend time with your high school friends or family, or maybe get back with your significant other Go on a road trip Complain about how short spring break is Everyone knows that option #8 is the best option.
Netflix’s “Win It All” is a small film with a simple premise and a surprisingly large amount of charm.
“American Gods” was the first screening I attended at SXSW and may have even been the best of the events so far.
Film festivals are useful venues for independent filmmaking. Among the lineup was “Small Town Crime,” directed by brothers Eshom and Ian Nelms.
Passion is truly the name of the game here at SXSW. Every filmmaker, well-known or not, poured heart and soul into these productions, and that couldn’t be more evident when Edgar Wright premiered his new film, “Baby Driver,” at the Paramount Theatre.
There is something about sexuality that will never stop talking. It carries itself on the streets of Amsterdam or in the crude parts of Berlin Sexuality is a two-sided mirror in rotation.
Wednesday night, I think I may have stepped into a 1980’s high school dance scene in a John Hughes movie.
In addition to last week’s preview, I had the opportunity of interviewing “VICE” journalist Gianna Toboni over a video chat alongside several other university publications across the country.
For all the praise this year’s Oscars field garnered for being diverse and inclusive, the awards show still featured a familiar shortcoming: zero women nominated for Best Director. This isn’t unusual: in 85 of the show’s 89 ceremonies, the category has been all male, and only four females have ever been nominated (Kathryn Bigelow is the lone winner for “The Hurt Locker”).
South By Southwest officially begins this weekend down in Austin, Texas. With a stacked lineup of artists, keynote speakers, films and television shows, SXSW is gearing up to be an amazing festival. The Daily Cardinal Arts staff will be flying down to cover the event, and here’s what they are most looking forward to:
What would you get if you mix the vocal range of James Brown, the energy of André 3000, and the emotional deep south blues of B.B. King? Look no further than Earl St. Clair’s debut EP, “My Name is Earl.”
If you’ve run into me in the past month, you’d know that I’ve been binge-watching Ryan Murphy like crazy.
After his year-long hiatus, Ed Sheeran has finally dropped his much anticipated third album, ÷. As a devoted fan, the thought of a third album gives me butterflies.
Despite a hiatus from touring, Tennis is keeping the ball volleyed on the match that is their career.
March is officially Women’s History Month, so a perfect time to binge (or re-binge, let’s be honest) some of TV’s greatest female-centric shows.
As the year 2000 approached, a new wave of artists were born who would go on to grow up in a world where time on the internet was just as important as time outside.
Read on Issuu
Solutions by The State News
