Destroyer’s performance blends psychedelic instrumentals with haunting vocals
By Sammy Gibbons | Jan. 23, 2018We all have that one relative: the scruffy-looking type who keeps to themselves at family gatherings and clearly doesn’t want to be there.
We all have that one relative: the scruffy-looking type who keeps to themselves at family gatherings and clearly doesn’t want to be there.
Emekwanem Biosah, a Houston rapper dubbed Maxo Kream, showcases a life of brutish violence, dark deeds and unapologetic ruthlessness over the course of a roughly 40-minute-long album that sets the tone for future projects.
There’s no one who loves a good murder mystery more than I do. Okay, there probably is, but I’d just like to say that I really love murder mysteries.
Dec. 15 marked several major releases as finals week started in Madison. Eminem and N.E.R.D. released their first albums in four and seven years, respectively, and BROCKHAMPTON closed their SATURATION trilogy with SATURATION III, their third album in six months.
The 75th Golden Globe Awards on Sunday night was the first major awards ceremony to be held since the Harvey Weinstein sexual harassment accusations were revealed.
Our TV columnist shares her top TV shows of the year.
Our video game columnists outline this year's best games.
Our film columnists outline this year's top movies.
Our music columnists list their top albums of the year.
With the first explosive trailer for Marvel’s “Avengers: Infinity War” having finally been released, the world is buzzing with excitement, rumors and predictions about Earth’s Mightiest Heroes assembling to face the long-awaited Thanos and his Infinity Gauntlet.
The relief comes early in the morning. After the smoke has settled and both sides have risen their flags.
While sporting flannels and hoodies, the hip musicians of Whitney transported audiences away from the thick air of the Majestic Theatre.
2017 has been an incredible year for video games; Nintendo released the Switch with success, Sony gave us a slew of exclusive Japanese titles like “Persona 5” and Microsoft premiered the most powerful console to date with the Xbox One X. “PlayerUnknown’s Battlegrounds” (“PUBG”) took the digital distribution platform Steam by storm, and starting next month, it will do the same to Xbox Live. Whether you own a console or gaming PC, there were generation-defining experiences to be had.
If you’ve been around me in the past year, I’m sure I’ve brought up “Search Party” at some point during our conversations. It was my favorite show of last year, and arguably one of my favorite shows of all time. Season one was full of mystery and twists with a cast that seemed to be made for one another, and season two is keeping the momentum going.
With the new “Marvel: Infinity War” trailer out this week, new seasons of superhero shows like “Agents of Shield,” “Runaways” and new episodes of “The Gifted,” I’m just trying to hide somewhere dark and deep where the Marvel Universe hasn’t pried its grubby little fingers yet. It’s not that I dislike Marvel; I just like to breathe the fresh air on occasion, so, let’s lead off with a suggestion from an entirely different angle.
Upon leaving the theater after viewing “Justice League,” it can be misleading to judge the film based on excitement for its characters or the introduction of humor into the DC universe. However, DC’s first attempt at a large-scale team-up movie fails to bounce back from “Batman v Superman: Dawn of Justice,” the universally panned previous installment in the franchise.
As the year approaches its finale, we’re thrown into a blitzkrieg of artists releasing highly anticipated — and sometimes unexpected — albums. Björk, Fabolous & Jadakiss and a slew of holiday-themed artists all released projects this weekend.
“Star Wars: Battlefront II” is one of the most interesting unintentional tragedies ever put forth in the games medium.
The premature cold breezing through Madison seemed to subside as hip hop artist Noname graced the stage with her warm spunk at the Majestic Theatre on Monday.
In preparing for Greta Gerwig’s directorial debut in “Lady Bird,” I hads a sense of apprehension about the experience I presumed I would have. As industry costs increase and fall to the consumer, it becomes a greater gamble of financial precarity when $15 is the entry fee for the chance of an entertaining film and an enjoyable evening. Naturally, trailers yield the byway method of circumventing our concerns about this very problem, yet often find themselves under heavy critique for their own representation of the film they aim to market. With “Lady Bird,” I found an unfortunate parallel to this issue. However, it seemed to work astoundingly, and in a manner I hadn’t truly expected.