SXSW 2019: Live music magic on Stubb’s stage
By Molly Carmichael | Mar. 21, 2019The Daily Cardinal arts staff visit SXSW 2019 to review all things music and film in Austin, Texas.
The Daily Cardinal arts staff visit SXSW 2019 to review all things music and film in Austin, Texas.
Wet + Kilo Kish bring all forms of indie pop to the Majestic stage this past Thursday night.
Rock with the Flock, the Daily Cardinals Arts podcast returns! In episode 9, Lauren Souza — one of the arts editors — sits down with fellow Cardinals to discuss feminism in Hollywood, Me Too and Time's Up.
Proving that it is still a dominant force in the television landscape, Netflix continues a strong 2019 lineup with “The Umbrella Academy," a comic book show that is not your average adaptation. TV Columnist Joseph Marz reviews.
Ricky Gervais’ new project was recently released on Netflix and is a six-part mini-series entitled “After Life," in which Gervais portrays a man named Tony, who after losing his wife to cancer is emotionally empty and takes out his bitterness on those around him.
Breaking Benjamin has traversed an always-morphing musical landscape, survived several member changes and has simply gotten the better of time itself. The one constant throughout the entire journey has been founder Ben Burnley, the band’s lead singer and guitarist who also served as the creative mind behind most of the band’s music dating back to the its inception.
A recent interview with Breaking Benjamin frontman Ben Burnley brought up a rather interesting story of the night that gave the band its future name.
Activist and writer, Amber Tamblyn, speaks to Daily Cardinal editors about feminism in the film industry, her life and recent bestseller 'Era of Ignition.'
In what is commonly referred to as the hero’s journey, a protagonist often starts off in a bad position, one in which they feel trapped or isolated. Throughout the course of their journey, they learn lessons, face difficult situations and end up altered internally due to their treacherous growing process. Such is the case for “Game of Thrones” protagonist Jon Snow, a character who throughout the course of seven seasons has faced a number of grueling challenges that have tested his leadership and personal growth abilities to the nth degree.
Rodgers and Hammerstein’s “The King and I” might take the cake when it comes to virtually fossilized, ethnocentric, and downright offensive pieces of American theatre. Maybe its “white savior” narrative and hyperbolic representation of Thai culture were considered all fine and dandy when this show debuted in 1951. But in our wanting-to-be-woke society of today, there was no justifiable reason for this show’s revival tour and subsequent stent at the Overture Center from Feb. 26 to March 3.
UW-Madison alumna Lorraine Hansberry debuted her play "A Raisin in the Sun," making her the first African-American female playwright on Broadway.
Ongoing lawsuit delays the sequel for Mad Max: Fury Road due to differing opinions between George Miller and Warner Bros.
Solange’s latest album When I Get Home stuns audience with her aesthetic visuals and soothing vocals that create a sense of nostalgia.
Sometimes a TV series just doesn’t know when to end. The first season of HBO’s “True Detective” from 2014 redefined crime storytelling for the ages to come. It was dark, gritty and rooted in the questioning of the nature of humanity. Each episode was more gripping and intriguing than the next. The third season starring Mahershala Ali looked promising, advertised in a fashion that channeled the nature of the first season, yet revealed to us that instead of trying to revive the glory of the first season, it was better for the show to have ended after one season and leave it at that.
Well, I had a piece planned on “Rainbow Six: Siege” for this week — a little thinkpiece about the whole ‘games as a service’ trend and how “Siege” has managed to both stumble into that model and sidestep the worst parts of it. But after the Activision-Blizzard layoffs, it just feels disingenuous to talk about anything other than the weird, terrible ways this industry is run and the ways it could be better.
At the time of the Electric Lady Studios’ founding, it was the only artist-owned studio in existence, built by and for the one and only Jimi Hendrix. He only got to use the space for a few weeks before his untimely passing. Dance-punk act LCD Soundsystem has added their name to the legendary studio’s list of inhabitants. On Feb. 8 of this year, Electric Lady Sessions was released. A concise and groovy collection of their own hits and three covers, LCD Soundsystem’s latest release is a rewarding live album.
Hippie Sabotage, the EDM duo consisting of brothers Kevin and Jeff Saurer, infected the Sylvee last Wednesday with one killer jam sesh. As someone who doesn’t frequently indulge in EDM and rave culture, this concert was a really interesting step into that world.
The inaugural Black Arts Matter Festival will be held from March 3-9 at multiple locations throughout downtown Madison. The goal of the festival is both to provide a platform for black artists and to get the community thinking a little more about curing a noticeable lack of representation in a largely white city.
A remake of a Korean game show, Fox’s latest hit “The Masked Singer” is not your average competition. However, it consistently serves as a surprisingly fun spot on television.
Young the Giant graced the stage this past Friday night at the Sylvee, rocking out their funky tunes to the crowd.