Evolving Inclusivity: White feminism is necessary evil of modern television
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You — the five people who read our introduction article — asked for it, you got it.
After a 4-year hiatus, “Star Wars: The Clone Wars” returns for its final season with as much action and excitement as fans have come to expect, establishing the series as a flagship program on Disney’s streaming service.
Attending (and enjoying) the Fitz and the Tantrums concert this past Friday was a bit of a fluke — a friend of mine was a fan, yet I ended up going alone among the masses of indie pop fans cramming into The Sylvee. With a few special songs I was particularly looking forward to, I entered the venue with limited expectations and a somewhat open mind.
“Sonic the Hedgehog” is lighthearted and pleasant.
After waiting five years, we finally can listen to a Tame Impala album other than “Currents”or “Lonerism” on repeat. Kevin Parker, the creative mind behind Tame Impala, kept us all in suspense for way too long for this album release, so I would have been incredibly disappointed if it was lackluster.
The day before Valentine’s Day is the perfect time for a cheesy romantic Netflix original. Peter Kavinsky (Noah Centineo) and Lara Jean Covey’s (Lana Condor) love story continues in the movie “To All The Boys: P.S. I Still Love You.”
On a cold Wisconsin Valentine’s Day, Pip the Pansy’s bright, upbeat and powerful performance offered a pleasant escape from the weather outside. On a stage dressed with flowers, her dark, heavy synth contrasted with light, punchy melodies and mystic flute solos to give her a strong electro-pop sound. Her music was at the same time both uplifting and easy listening, as well as personal, emotional and impactful.
The spaces for music media are small. Too often I struggle to find where to turn online if I want to read an honest opinion of something, with all bias and editorial standards left at the door.
This is not a drill.
What do you get when you mix together a moody, confused and narcissistic record store owner, a Brooklyn-based backdrop that comes straight down from the romantic comedy heavens and enough musical and pop-cultural references to make your head spin in circles?
The 2010s was an extraordinary decade of cinema. Films were made that explored the deepest aspects of humanity, transported us to new worlds and re-envisioned how the art of cinema operates. We saw new worlds and explored the struggles of characters that made us more intoned with ourselves and the world around us. With that, let’s take a look at the 25 best films of the 2010s.
Much of our friendship is built on long nights of binge-watching, never-ending conversations and the whistling of the tea kettle. In fact, the start of our relationship was in sophomore year of high school with the simple question: Have you ever seen “Sherlock?”
“Harley Quinn: Birds of Prey” is an action-packed affair with colorful clothes, chemicals and confetti. It is fun, quirky and, most of all, entertaining.
Sunday night was Hollywood’s biggest night of the year, as dozens of the biggest stars gathered at the Dolby Theater for the 92nd Academy Awards for a historic night.
Is there anything Hayley Williams can’t do? Whether she’s too busy being the frontwoman of Paramore, creating awesomely epic hair dye colors for her own company, Good Dye Young, or now releasing her own music and embarking on somewhat of a solo career, I suggest that Williams is somewhat of a superhuman.
The brilliantly funny Paul Virzi is set to perform a five-show run here in Madison, WI, and will be in town from Thursday, Feb. 6 to Saturday, Feb. 8. Virzi has worked with the likes of Pete Davidson, Bill Burr and Judd Apatow. He has released a critically acclaimed stand-up special, his comedy album reached #1 on iTunes, and he is preparing to shoot a second hour-long stand-up special this summer — a new hour of material which will also be performed at his comedy shows this weekend in Madison.
Nominated for Best Picture, Best Actress, Best Supporting Actress, Best Adapted Screenplay, Best Costume Design and Best Original Score, “Little Women” is a film that has definitely garnered the attention of the Academy and movie-goers alike. Director Greta Gerwig — known for her 2017 directorial debut “Ladybird” which also stars Saoirse Ronan and Timothée Chalamet — effortlessly fuses this classic story of the 19th century with hints of modernity, garnering “Little Women” to be one for the books.
This past Saturday was the opening of the 2020 faculty exhibition at the Chazen Museum. This year, which happens to be the museum's 50th anniversary, the Chazen is putting on a show that exhibits the work of faculty and teaching staff who use art-making techniques in their teaching and research. The collection includes pieces from current faculty that are paired with pieces from the Chazen's permanent collection, in an attempt to engage viewers with works in the museum that are often overlooked. The art in this exhibit explores the relationship between the artists' work, and specific works within the museums collection.
When people ask me what film from last year they should see that they haven’t heard of, the answer is always “Waves,” a powerful independent drama from filmmaker Trey Edward Shults.
One of the surprise gems of last year, “Sex Education” returns with a captivating sophomore season, givng viewers more of the comedic and relatable characters they have come to love while further developing these characters in meaningful and impactful ways.