Feeling free at summer music festivals
Sasquatch!
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Sasquatch!
It’s been a hot minute since Speedy Ortiz last hit Madison; or, more specifically, just a few months short of a year since they demolished Live on King Street, opening for tUnE-yArDs. The appearance felt like a bit of a victory lap after the release of 2013’s triumphant Major Arcana and 2014’s equally massive “Real Hair” EP, but it wasn’t the first time they had played the city.
It’s easy to see where Speedy Ortiz’s clever, biting lyrics come from. Sadie Dupuis, the band’s frontwoman, recently received her Master of Fine Arts degree in poetry from the University of Massachusetts-Amherst, and her way with words is clearly depicted in their newest album, Foil Deer. Since the band’s first release, Major Arcana in 2013 and 2014’s EP, “Real Hair,” Speedy Ortiz’s songwriting style has transformed. They have undergone a metamorphosis that took them from a talented garage band to a lyrical force with which to be reckoned.
It’s sometimes hard to recognize greatness. Nowadays it’s more likely for a book to be judged by its cover. This is the same for albums, as people get more and more busy and distracted and as music is moving through different phases of popularity, bands are transforming their sound. I hear a busy tone from most of Calexico’s songs off of the new album Edge of the Sun. I feel a lot of this comes from the Latin influence, but also the fact that these guys are working on so many different projects. They’ve been experimenting with new members and influences since the start. Calexico was formed back in the 90s when Joey Burns met John Convertino and Howe Gelb in Giant Sand. After the band had moved to Tuscon, Arizona, Burns and Convertino formed another band. This band, Friends of Dean Martinez, became sort of a band for hire until they finally formed Calexico.
“Jump Around” or beers on the Terrace? Plaza Tavern or Paul’s Club? J.J. Watt or Frank Kaminsky? Gettin’ it on in the Memorial Library cages or on top of Bascom Hill? You got to decide in the latest edition of The Daily Cardinal’s Reader’s Choice Awards.
Revelers would be wise to arrive early in the day to experience all that the festival has to offer, including a myriad of local artists playing the Terrace Stage, the silent “Wisco Disco” and a variety of art installations and interactive attractions. Alongside these daytime attractions, singer-songwriter Nick Hakim will kick off festivities on the Main Stage with his 3:00 set, setting the stage for a big day of music with his haunting hybrid of R&B, jazz and folk music.
Last Wednesday Guster came to the Orpheum stage and performed a concert that transcended nearly 25 years worth of music. With their newest album Evermotion having just been released, the group was back with a multi-generational set list that had the audience reminiscing about the good old days and swaying to the beat of their new laid-back sound.
After José González’s parents fled from Argentina at the beginning of a military junta known as the “Dirty War,” they ended up in Gothenburg, Sweden. This was the birthplace of González as an uplifting songwriter, where he grew up listening to artists like Bob Marley and Michael Jackson. González began his performance career with a hardcore punk band named Back Against The Wall and began performing around the ripe age of 17. After ending his time with this band, González took on a very new sound.
As I sat down on autopilot to listen to my weekly assigned album, I pressed play on the first track of the album and something happened: I began to smile. In the midst of an extremely frustrating, stressful day, the voice of Marina Lambrini Diamandis, accompanied with a simple piano track, filled me with joy. I realized that in the middle of College Library I was sitting alone with a huge smile across my face, as if I had just won a thousand dollars. The simplest track on the album made me remember all over again why I fell in love with music in the first place.
The Majestic Theater hosted an eclectic, sold-out crowd March 23 for one of the industry’s truest renaissance men, California producer/musician/visual artist Scott Hansen, better known as Tycho. While Hansen has been writing and producing albums as Tycho for over a decade, he now tours with a full band and an artistically thoughtful visual show that he designed himself. Tycho, every bit as accomplished a graphic artist as he is a musician, has been producing visual art for years under the name ISO50. Following in the wake of his 2014 album Awake, Tycho brought his unique blend of ambient post-rock and synth music on the road with a coherent vision that translated perfectly into his new live show.
When the Pines frontmen David Huckfelt and Benson Ramsey fill a room with their ambient folk music, listeners are transported to the vast lands of Iowa, where the band members grew up.
After the release of their debut album Shrines in 2012, the Canadian electro-pop duo Purity Ring spent three highly anticipated years expanding their sound before issuing their sophomore LP another eternity.
On Wednesday, March 4, MisterWives stopped at the High Noon Saloon in Madison, on their Our Own House tour, with openers Handsome Ghost and BØRNS. I had never been to this concert venue before, but I immediately became accustomed to it and liked the intimacy and closeness that came across even though it was a fairly large stage.
Where does the modern musician stake their claim? Sometimes, the kickoff is swift and explosive. Other times, it’s as humble as a “dirt poor but enthused 20-year-old from Madison” and a collection of self-made indie spunk tinged with a psychedelic swirl. Snufkin’s first EP, “Snufkin EP,” follows those humble roots with its few songs recorded in a basement with the DIY sensibility that so many rock bands ascribe to.
Remember when Aaron Carter shared the stage with Hilary Duff? Thirteen years later Aaron is back and ready to bring the party to Madison, only instead of Hilary Duff, a local trio gets to make an appearance. Catch Kid are a band based here in Madison made up of front man Nate Rusch, guitarist Jeremy Van Mill and drummer Luke Osiecki. If that name sounds familiar it’s because they were rocking the WSUM stage at Freakfest this past November. I had the pleasure of catching up with these super awesome guys to see what their plans include for 2015—of course covering the upcoming show with Aaron Carter Thursday. The real question is: Who are these guys?
In the midst of new voices joining the video game space, the underperformers of the past have been forced to make room in the market. After years of commercial underperformance and failed expectations, some of the game industry’s most visible creators are forced to cede their roles to fresh faces.
Doomtree is an indie hip hop collective with a Minneapolis base and a massive following of dedicated fans. The band consists of seven members, five emcees, each with successful solo careers, disc jockey Paper Tiger and producer Lazerbeak. Doomtree sold out the Majestic Theater Saturday night with an electrifying performance, which had almost every crowd member on their feet and jumping.
José González tried to reclaim something lost with Vestiges & Claws. He’s heard modern folk artists sing their stories to indie pop radio’s delight, heard them brush up a singer-songwriter’s sound with popish glow and nostalgic love of romance woven between verses and choruses. He knows that, today, folk is a bastardized thing; what once gave a voice to many is now relegated to tropes and easily digested drama.
Daystar Peterson, better known by stage names Tory Lanez and Argentina Fargo, is a rapper from Ontario, Canada who has been emerging in a big way with his high-pitched singing and heavy rap-flow. Lanez performed in front of a small, yet eager, crowd at The Frequency Monday night.
These days, what is a bluegrass band supposed to do? It's not like Appalachia's been silent these past few years; while record labels clamor for indie-pop bands fielding banjos and the like, Punch Brothers alumni and their contemporaries have been hard at work with a steady stream of albums that pump soul into that bluegrass heart. Yet, that doesn't seem to be enough for the Punch Brothers. The Phosphorescent Blues, their latest album, carves through its traditional binds for something more—some kind of sense beyond that traditional novelty.