Jazz, cabaret, liquor go together smoothest in ‘Chicago’
It’s funny: A musical about the ephemerality and fickleness of the limelight has become a timeless tradition on Broadway. Nevertheless, it is for good reason.
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It’s funny: A musical about the ephemerality and fickleness of the limelight has become a timeless tradition on Broadway. Nevertheless, it is for good reason.
“The Father” drops your heart and lets it shatter into a myriad of pieces. As the credits begin to roll, each fragment begins to come to rest, far away from the others. The film ends with you in that state, heartbroken, reeling. You are left to attempt to gather all the shards and put them back together, but it is not easy. Writer-director Florian Zeller has created an ineffably powerful experience.
“Supernova” is an ode to the things that we live for. In fact, the core of “Ode on Intimations of Immortality from Recollections of Early Childhood” by William Wordsworth, a classic example of an actual ode, is remarkably similar to what “Supernova” is about. The first stanza reads as follows:
“Sonic the Hedgehog” is lighthearted and pleasant.
“Harley Quinn: Birds of Prey” is an action-packed affair with colorful clothes, chemicals and confetti. It is fun, quirky and, most of all, entertaining.
“Ford v Ferrari” is an exhilarating film that is based on the journey of automotive designer (and ex-race car driver) Carroll Shelby and race car driver Ken Miles to build a car for Ford to compete against Ferrari at the race 24 Hours of Le Mans in 1966.