‘Lady Bird’ captures uncompromising reality of adolescence

In preparing for Greta Gerwig’s directorial debut in “Lady Bird,” I hads a sense of apprehension about the experience I presumed I would have. As industry costs increase and fall to the consumer, it becomes a greater gamble of financial precarity when $15 is the entry fee for the chance of an entertaining film and an enjoyable evening. Naturally, trailers yield the byway method of circumventing our concerns about this very problem, yet often find themselves under heavy critique for their own representation of the film they aim to market. With “Lady Bird,” I found an unfortunate parallel to this issue. However, it seemed to work astoundingly, and in a manner I hadn’t truly expected. READ MORE