“Palm Springs” provides high-minded hilarity to the best romantic comedy of the new decade.
For "Old Guard," reaching millions of new homes and proving to be a major hit for Netflix is not enough to save this film from its overwhelming stupidity.
Opinion Editors Sam Jones and Anupras Mohapatra discuss the essence of playlists during a time of distance, putting our connections to the test.
Alina Baraz’s "It Was Divine" shows unmitigated talent, proving her skill despite her comparatively short discography.
"The Platform" is a film that is so self-righteous and gives us an hour-and-a-half sermon on how capitalism is an evil force destroying our society without a touch of character development or riveting tension.
“Devs” on FX is the most interesting show of 2020 year so far — and it isn’t even fairly close.
Freshman Micaela Udell reflects on how her journalism studies helped her analyze the coronavirus coverage and the rapid changes in responses.
Pixar teaches yet another lesson worth learning in their new film 'Onward.'
The Dixie Chicks are back with their first song in 14 years and it comes with little disappointment.
“Dave” is the slightly stupid, yet perfectly timed comedy series we need in the world right now.
The Weeknd returns with After Hours, proving to be exactly what the world needs in a moment of chaos.
Netflix brings "All The Bright Places" from book to movie in new remake starring Elle Fanning and Justice Smith.
Railroad Earth brought just the type of musical versatility they advertise during their show at The Sylvee on March 5.