Christopher Nolan continues to puzzle viewers with "Tenet"
“Don’t try to understand it. Feel it.”
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“Don’t try to understand it. Feel it.”
As the rest of the world lies in waiting for Christopher Nolan’s “Tenet,” I’ve shifted my attention towards another blockbuster coming down the post-COVID pipeline in the next 12-15 months — a familiar figure of comic book lore Nolan himself has successfully and notably tackled before.
As our COVID-riddled state rolls back openings and braces for whatever the months ahead hold, these past few weeks of “Summer: Live from Wisconsin Quarantine!” have started to feel like they’re simply repeating the same events every single day. Over and over — and over again.
After years of Weekend Update appearances, bit roles in other movies and the (occasionally) funny stand up special, this past weekend offered up answers to a question I’ve pondered since the first time I saw his mischievous-looking grin during the “The Roast of Justin Bieber” on Comedy Central almost five years ago: what exactly is Pete Davidson supposed to be good at?
We’re approaching the fourth week of the binge-watching marathon to end them all, but there’s only been one show that’s managed to catch my attention and hold me fully captivated on a technical and emotional level unlike anything I’ve seen on TV so far this year.
In the first scene of FX on Hulu’s new comedy series “Dave,” you get the whole picture on the biggest insecurity faced by protagonist Dave Burd, otherwise known as internet rapper Lil Dicky. Terrified to reveal the physical situation happening “below the belt” for his unassuming doctor, Burd gets way too far into the smaller details, pulls his pants down and lets the laughs ensue.
What do you get when you mix together a moody, confused and narcissistic record store owner, a Brooklyn-based backdrop that comes straight down from the romantic comedy heavens and enough musical and pop-cultural references to make your head spin in circles?
If you thought Michael Bluth’s “Arrested Development” shenanigans or Marty Byrde’s “Ozark” misfortunes were the worst problems Jason Bateman would face in his career, the one he faces in HBO’s new Stephen King miniseries “The Outsider” will leave you surprised and horrified.
Unlike many New Year’s resolutions to spend more time unplugging and disconnecting — my own involves spending more time focusing on the screen, not less. 2019 was largely a mixed bag for television. Some shows like “Fleabag” and “Succession” broke out from first-season success stories to become second-season award darlings, while others like “Game of Thrones” failed to provide a satisfying conclusion that fully resonated with fans. Regardless of whether or not you believe (spoiler alert — Bran) should sit upon the Iron Throne, 2020 provides a fresh slate of new originals, adaptations and many others from across streaming everywhere. Don’t worry, favorites like “BoJack,” “Ozark,” “Brooklyn Nine-Nine” and “Westworld” will be returning too, but for now, these are just a few of the newbies you should check out in the coming months.