Arts recommendations sure to give you a spook this Halloween
Music
Use the fields below to perform an advanced search of The Daily Cardinal's archives. This will return articles, images, and multimedia relevant to your query. You can also try a Basic search
186 items found for your search. If no results were found please broaden your search.
Music
Few films have made such ripples in film debate and the entire sci-fi genre as Ridley Scott’s original “Blade Runner” film. It polarized critics and audiences alike at the time of its 1982 release — hailed for its immersive, captivating visual effects but criticized for its pacing and out-there plot. “Blade Runner” is also notorious for its multiple cuts, with Scott having the most creative control on “The Final Cut.” Having only seen the original once, I can’t say I’ve been swept up in the cult following “Blade Runner” has garnered over time, but its visual scope and philosophical themes give it an enigmatic quality that I still find myself being drawn to. On these levels, its sequel, “Blade Runner 2049,” improves, staying true to the story’s roots while expanding on what made “Blade Runner” a classic.
I recently ventured to the Marquee in Union South for the exclusive screening of “Happy Death Day,” an upcoming horror movie that’s generated a ton of social media frenzy. The movie was shown on Sept. 27, more than two weeks before it hits theaters nationwide on Friday, Oct. 13 (fitting for a slasher film, I’d say). Lines were out the door; needless to say, I was just as excited to see it as the 100+ other moviegoers, mainly because of the plotline.
As any fan of the 2014 original film would agree, the “Kingsman” film franchise is noteworthy for its inventive action sequences, sophisticated humor and well-established chemistry between its stars, Taron Egerton and Colin Firth. “Kingsman: The Golden Circle” is only able to deliver two out of the three elements for this successful mission, but still delivers an entertaining and original spy flick.
Acclaimed screenwriter Taylor Sheridan has become synonymous with the art of tension in the dramatic thriller. His collaboration with Denis Villeneuve on 2015’s sleeper hit “Sicario” swiftly drew attention to his gritty, realist style that brings fans of the neo-noir flavor into contemporary, practical settings. The former “Sons of Anarchy” actor wrote and directed the recently-released crime thriller “Wind River,” in which Academy Award-nominee Jeremy Renner (“The Hurt Locker,” “Arrival”) portrays a skilled tracker who discovers the murdered body of a young woman on an American Indian reservation. Elizabeth Olsen (“Age of Ultron,” “Ingrid Goes West”) co-stars as the sole FBI agent who is sent out to investigate the supposed homicide. The narrative swiftly follows the pair as they delve deeper into the trail leading back to the perpetrators in a fiery blend of classical Hollywood tonality and Sheridan’s own inflections of intensity in a gut-wrenching story.
I am not a horror fan. The jump scares, paranormal events and downright creepy characters are all things I can live without in my life. So, when I found myself sitting in a Marcus Point Cinema theater about to watch “It,” I didn’t know what to expect from the two-plus hours to come. After the credits finally rolled, though, I can say that “It” might be the exception to my horror genre aversion.
The fall semester has officially begun, and with that marks the beginning of the fall movie season. The last few months of the year almost always bring forth a diverse mix of blockbusters and Oscar contenders, but there are a few other promising titles lined up in the coming weeks to make for a balanced movie-going experience. Here’s what you need to look out for this fall:
Summer is arguably the best time of the year for the cinema because it gives audiences the chance to see a variety of films. While there are some films I didn’t get the chance to see, here is my personal ranking of the films that were released this summer, from best to worst:
Movie-going experiences are abundant at the University of Wisconsin-Madison. For generations, students, staff and community members have had the opportunity to enjoy “Big Screen” entertainment. The medium’s landscape has changed, remodeled and adjusted along with the campus and city, and while some venues no longer exist, new ones emerged, creating the film community we see now.
It’s easy to re-watch Netflix series you’ve already seen nine times during the summer. But movie theaters are dying, and there are lots of great features coming out this year. Here are 11 movies you should check out this summer.
In “The Fast and the Furious” (2001), a dreamy undercover cop named Brian O’Conner (Paul Walker) tries to infiltrate a crew of Los Angeles street racers. It’s basically a dorky movie for car nerds; the film is goofy, charming and relatively small-scale. In “The Fate of the Furious” (2017), those same street racers are taking down a nuclear submarine in the Russian tundra on behalf of the U.S. government. Obviously, the franchise changed in between. What happened? As “Fate” hits theaters this weekend, I took to watching all eight films of this improbable multi-billion dollar franchise in a week. Here’s what I learned.
In the first episode of Rock With the Flock, The Daily Cardinal arts staff discusses the latest movie trailers, "13 Reasons Why" and upcoming films.
For most people, the categories of “male” and “female” are taken as undeniably natural divisions. But a new film from four UW-Madison students, which will be showcased at the Chazen Art Museum this evening, is looking to challenge the notion that men have to put on a “masculine” front.
The 19th annual Wisconsin Film Festival brought movie lovers from across the state together in the heart of Madison to watch some of the quirkiest and unique films from all over the world. The wide variety of programs screened made it a festival for all movie lovers. They ranged from collections of shorts (including one very cute stop animation short made by a fourth-grade class here in Madison) to a feature about the Green Bay Packers. Here are some of the highlights from my week at the film fest.
Surely you’ve seen, or at least heard of, David Zucker’s movies. The 1971 UW-Madison alumnus is a giant in the film industry. He directed “Airplane!” and “The Naked Gun,” and helped start the careers of South Park creators Matt Stone and Trey Parker as well as “Dumb and Dumber” directors Peter and Bobby Farrelly. In town for a campus tour with his son, I sat down with Zucker to talk about his time at UW-Madison and everything that followed.
SXSW finished its film festival with the star-studded space thriller, “Life.” The film begins with a team of astronauts, lead by Ryan Reynolds, Jake Gyllenhaal and Rebecca Ferguson, planning to return to earth after collecting samples from Mars that may contain the first signs of extraterrestrial life. The mission goes awry, however, once the microorganism begins mutating, growing tentacles and craving human blood. Conclusively, this film is not attempting to move past the sci-fi genre tropes that movies such as “Alien” have landmarked. It does, however, bring a terrifying realism unfounded by previous alien horror films. This can be accredited to the stunning visual effects that picks up where CGI-heavy films like “Gravity” left off.
The final premiere I attended at SXSW ended on a high note with “The Big Sick.” Directed by Michael Showalter and produced by Judd Apatow, the rom-com depicts the real-life love story between Kumail Nanjiani, a comedian who comes from a traditional, Muslim Pakistani family, and Emily Gordon, a therapist who meets Kumail at one of his shows. They soon fall for one another, but Kumail’s family’s traditions require that he marry a woman from his own culture, complicating his relationship with Emily because he feels he needs to keep her a secret. To complicate matters further, Emily contracts a life-threatening infection, forcing her into a medically induced coma and causing Kumail to question what he wants and what he believes.
Director Dustin Guy Defa screened his film, “Person to Person,” a feature-length based on his short film of the same name. The film follows five characters throughout the course of a day, exploring questions of occupation, relationships and death, starring Abbi Jacobson, Michael Cera and Tavi Gevinson.
Six years after his film “Kill List” premiered here, director Ben Wheatley returns to SXSW with his film “Free Fire.” The film focuses on a group of criminals who meet to broker a gun sale in a large warehouse. Chaos soon ensues as the exchange goes horribly wrong, and the characters find themselves in a battle royale of gunfire from all sides, trying to make it out of that warehouse alive.
Fresh off the successes of “Rogue One: A Star Wars Story,” director Gareth Edwards gave a SXSW keynote to discuss how he got his start in filmmaking.