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The self-proclaimed “medium famous” comedian Hannibal Buress performed last week at the Orpheum Theater, engaging the audience with his patently warm and charming demeanor, creative multimedia usage, and of course, hilarious punchlines.
“Star Trek” legend William Shatner was beamed up to Madison this past Friday, as the prolific actor took his Midwest tour to the Orpheum Theater.
Self-proclaimed boy band BROCKHAMPTON dropped their much-anticipated album iridescence this past Friday. Forming only three years ago, the group had already released four albums, including All-American Trash and the Saturation trilogy. With their constant influx of content, experimental sound and unique aesthetic, the group has been experiencing tremendous growth in popularity, from having a Viceland series to hanging out with iconic producers like Rick Rubin and Pharrell Williams.
Noname, real name Fatimah Warner, found a valuable niche in hip-hop as one of the coolest acts around with her quiet, yet potent 2016 mixtape Telefone and a number of features. Two years later, she has a plethora of musings after moving away from her native Chicago, grasping fame with a headlining tour and loving and losing in a relationship. Noname has not added to or detracted much from her very distinct sound, but her latest record Room 25 is chock full of beautiful instrumentals and smooth flows that breeze through 11 tracks across 35 minutes.
One couldn’t help but think of the Disney classic “Beauty and the Beast” during singer-songwriter Natalie Prass’ High Noon set. She strutted around front stage, carrying all the sass music royalty needs, in a sparkling yellow dress, surrounded by her four-piece band donning dark blue button-ups and topped with fuzzy dark hair.
Concerts are the closest thing to church I attend. I’ve noticed this in the stories I’ve written about shows, almost always making comments like “I think *insert artist name here* and the heavenly lights were summoning me to the afterlife.”
Spider-Man feels like one of those series that’s never quite going to get it right — one that always passes the bar for greatness, swings effortlessly around the barrier for excellence, but stops short just a half inch of being 100 percent coherent.
A scientific paper detailing detection methods of dark matter and words like electrons, neutrinos and muons thrown about—these are things expected in a physics lecture or in the office of a physics professor at UW-Madison, but perhaps not at all expected in a local Madison art gallery. However, thanks to a collaboration between the Wisconsin IceCube Particle Astrophysics Center (WIPAC), the Arts+Literature Laboratory (ALL) and local artists, writers and high school students, UW-Madison IceCube physics research has been transformed with art, poetry, film and music to create the LAB3 project—a multidisciplinary effort that produced a gallery of artwork transporting visitors to galaxies far, far away and to emotions close and near to the human heart.
After a rough ending to 2017, Eminem’s latest move is to fight fire with fire. After the publically and critically panned release of Revival, Eminem is back with the no-holds-barred Kamikaze, released as a surprise at the end of August. Kamikaze simultaneously sees Em stripping down to his roots of aggressive angst but also updating some of his sounds and lyrics to the world around him. While Kamikaze finds Eminem rapping with much more conviction, his lyrics and flows are only marginally better than Revival — and the end product is mediocre.
Many famous comedians will be performing in Madison this fall, including those who have had specials on Comedy Central and Netflix — here are just a handful of them.
Madison is a hub of culture when it comes to the arts — concerts, art shows and poetry slams can be found every weekend. Few realize, however, that Madison also hosts dozens of theater performances, from Broadway tours to local productions. Here’s your guide for what to keep an eye out for this fall.
I feel it’s necessary to preface all this by admitting that, as a man who plays a lot of games, I’m not the type of person to anticipate new releases. Games are just too expensive of a hobby, and getting caught up in hype trains all the time is a quick and reliable way to lose your shirt. If I didn’t write this column, I’d never pick up a game the first day it was out. With the exception of Nintendo and a few particularly smart indie game developers, every company drops the price of their games drastically a few months after release.
Imagine, if you will, that the year is 2001. You sit in the theater and watch the credits roll following a showing of the new hit animated film “Shrek.” Tears are streaming down your face. You wish to yourself that the film was real, that you could meet Shrek and Donkey and live in their world. You are insane. However, you’re not the only one.
Lollapalooza may have been a little over a week ago, but I’m still reflecting on the impressive, hot weekend. However, the heightened security and extreme heat didn’t stop the over 100,000 concert-goers, including myself, that gathered for four days on the dusty grounds of Grant Park.
Travis Scott, hip-hop’s most popular AutoTune crooner, returns with ASTROWORLD, and he’s locked and loaded with dark beats and bars. Scott has seen glimmers of genius spread throughout his two studio albums and wide catalogue of guest features on other artists’ work, but both Rodeo and Birds in the Trap Sing McKnight had forgettable low points that dragged their respective albums’ quality down. He hit a recent low this past December with Huncho Jack, Jack Huncho, a collaborative project with Migos’ Quavo, which felt like a creative dud after stretching his wings (literally) across his own albums and guest features.
Following a stereotypical summer of big-budget blockbusters that satisfy the masses and empty our wallets, it’s time to shift our gaze toward a few of the more audacious stories that hope to impress during this upcoming fall semester. These five films have potential to be the perfect escape to the theater for all students struggling to readjust to college life.
The Academy Awards is something near and dear to my heart. I watch it every year, eagerly consuming articles, talk shows and general awards buzz to help make my predictions for who will take home Hollywood’s most prestigious prize. It’s my Super Bowl, and I love every second of it.
After three years, LANY returned to Lollapalooza — only this time they were bigger and better than ever. With a larger stage and a larger crowd, the indie pop band exuded confidence and charisma, much more than their 2015 set. Matching their stage presence, energy and enthusiasm, the crowd wasted no time shouting and cheering the second the band set foot on stage. Grins set into place on everyone around me. LANY is a somewhat lesser-known band, but considering Lollapalooza’s roots as an alternative music festival, LANY’s place in the lineup felt more than right.
I typically listen to The National while writing, like right now, letting lead vocalist Matt Berninger’s baritone lull me into focus in the background. At their performance last Tuesday, though, Berninger pulled me into his show, his intensity tangible as he sang like he was sharing the song with the person it’s about for the first time.
Each year the Windy City’s largest music festival brings together young, trendy artists and old favorites to flood the grounds of Grant Park. While ticket sales were lower than normal this year, the hype regarding the lineup and artists coming to Lollapalooza is still as strong as ever.
Solutions by The State News
