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Jack Antonoff and his band Bleachers have teamed up with the Boss himself on new track, “chinatown.” Dropped this past Monday, ‘chinatown’ comes out alongside another new Bleachers track, "45."
A few weeks ago, I told you Nicole Kidman would keep me around purely out of the fact that I needed a tight-laced mystery in my life as we approach another stretch of stay-at-home orders.
Dominic LeRose and Johnny Bildings are seniors at UW-Madison who are fanatics about all things entertainment. Their goal is to recommend their favorite movies, TV shows, books, music, documentaries and specials to make the dismal times of the current pandemic a little less sufferable.
I’m going to be honest and say I hadn’t seen any of “The Boys” until September when a good friend recommended it to me. The day after he told me I should check it out, I watched the first episode.Then the second. And then it only seemed right to watch the third. Within four days I had blown through the first season and half and was eagerly awaiting the next episode’s release on Amazon Prime Video.
It’s been twenty years since Gorillaz’ first commercial release, Tomorrow Comes Today, an EP highlighted by its ominous-yet-funky title track. Damon Albarn and his collaborators have since released seven studio albums, with “Song Machine, Season One: Strange Timez” being the latest off the assembly line. The latest helping of seventeen highly synergic songs were composed, produced, and recorded in strange times indeed — almost exclusively during the coronavirus lockdown. Initially a sequence of isolated singles released on a monthly basis, Song Machine, Season One: Strange Timez is an unexpected galaxy of sound that bounces around genres, styles and even languages. Somewhat surprisingly for an album composed partially of stand-alone singles, no one song really rises above the others and blows you away. Ultimately, Gorillaz’ seventh studio album displays a rich enough sound to leave the listener satisfied, if not a little disoriented. But one thing is crystal clear — Gorillaz have mutated and evolved in unanticipated and fascinating ways.
As the hopes for our country’s future hang in the balance over the next seven days, it took a Netflix-led trip back in time on Saturday night — filled with protests, flower power and judicial combat alike — to remind me about why we should all be thankful to step up to the polls and cast our votes for the men and women who will help decide where our nation goes from here.
Dominic LeRose and Johnny Bildings are seniors at UW-Madison who are fanatics about all things entertainment. Their goal is to recommend their favorite movies, tv shows, books, music, documentaries and specials to make the dismal times of the current pandemic a little less sufferable.
Few in show business are as daring as Sacha Baron Cohen. For years the Jewish comedian has gone out of his way to make us cringe and laugh with his mockumentary style of film in which he portrays fictional characters yet interacts in the real world with oblivious individuals, often getting himself in deep danger and trouble.
Every artist has an origin story. Whether they choose to talk about it is up to them. But beyond every voice, there’s a reason, a place, a point of conception that would change their life and launch their career.
Music lovers love a good Friday. Why? Once the clock hits midnight every Friday night, new music is sure to flood your music library on your platform of choice. All week long, you can follow along as anticipation builds for an anticipated album, EP or even a single. Here’s what you might have missed this week:
With delays continuing to mount across Hollywood on big and small screens alike, it seemed poetic that the fourth season of Noah Hawley’s FX anthology series “Fargo” would leave the month of October to dedicate ourselves to whatever Midwestern crime tale he cooked up.
Two years ago, I couldn’t care less about social distancing. I was standing alongside hundreds of very sweaty people and if the occasional “Sorry! I didn’t see you there” happened, no death glares were given. (I miss you @TheSylvee)
Dominic LeRose and Johnny Bildings are seniors at UW-Madison who are fanatics about all things entertainment. Their goal is to recommend their favorite, movies, tv shows, books, music, documentaries and specials to make the dismal times of the current pandemic a little less sufferable.
We’ve grown so used to being completely dominated by technology that we haven’t even realized it. Many of us — including myself — are able to admit that we use our phones far too often and have grown completely dependent on them for communication, entertainment or “connection” with others. But, as a society we have accepted digital communication as a driving force, one that has already led to psychological and societal breakdowns before our very eyes.
Dominic LeRose and Johnny Bildings are seniors at UW-Madison who are fanatics about all things entertainment. Their goal is to recommend their favorite, movies, tv shows, books, music, documentaries and specials to make the dismal times of the current pandemic a little less sufferable.
While 2020 and COVID-19 saw the halting of many artist’s careers, slowing down was not in the cards for the internet apt pop/funk sextet Vulfpeck. With an affinity for online antics and a habit of stockpiling recordings, the (mostly) LA-based act has been sufficiently busy this year, demonstrating they are prepared for pandemics to come.
Ever since season one of “The Mandalorian” wrapped up last December, “Star Wars” fans have eagerly awaited the next chapter of the Mandalorians adventures with the adorable pop-culture sensation that is the Child — more commonly known as Baby Yoda. Now, with a little over a month until the season two premiere, Disney has finally dropped the highly-anticipated trailer for season two, and it has only stoked speculation about what audiences will see in season two of “The Mandalorian.”
A cluttered bedroom, slips of paper and notes pasted hastily on a wall — it looks like a television drama where detectives work diligently to find a serial killer on the loose — but, in this case, it’s the bedroom of the young, British writer, Arabella Essideu.
It’s Monday, the seventh of September. While the rest of the United States relishes in the lazy morning slumber of Labor Day, Marc Rebillet starts a YouTube livestream recording a bongo loop in nothing but boxer briefs. Rebillet — pronounced Rub-E-A — has amassed a cult following thanks in part to these marathons of quirky, completely improvised songs. Also known by his self-dubbed alias Loopdaddy, Rebillet is far from a one-trick pony. His YouTube catalogue of songs seemingly conjured out of thin air is extensive, and he has multiple full length albums on streaming services. Musically, Rebillet draws from funk, neo-soul and hip-hop, creating a tapestry of sound as skillful as it is goofy. Rebillet’s minimalistic sound and setup represent today’s myriad of musical niches, and encourages his audience to find their own.
Dominic LeRose and Johnny Bildings are seniors at UW-Madison who are fanatics about all things entertainment. Their goal is to recommend their favorite, movies, tv shows, books, music, documentaries and specials to make the dismal times of the current pandemic a little less sufferable.
Solutions by The State News
