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Many people have asked me if I have any movie recommendations to lift their souls during the perilous, dark times we’re living in with the COVID-19 pandemic still controlling the world. While there are numerous feel-good films perfect for our time, Netflix’s latest drama won’t serve as a mood-elevator.
I see you. I see you celebrating the triumphant return of Badger football, reposting BadgerBarstool’s instagram post on your story to show all 700 of your followers how much this means to you. You see the headline, “The Big Ten is BACK!” and can’t help but rejoice and crack a warm Hamm’s during your online lecture.
Twenty-six years ago this month, The Notorious B.I.G dropped his legendary album, Ready to Die. 1994 was an absolutely riveting year, not just for pop culture but for the world. “Pulp Fiction” and “The Shawshank Redemption” both hit theaters less than a month apart, while Amazon got its start in a garage in Bellevue, Washington, and Nelson Mandela became South Africa’s first Black president. Needless to say, 1994 was also a magical year for music. Beck’s Mellow Gold and Pavement’s Crooked Rain, Crooked Rain which defined the alternative/indie niche while elsewhere in hip-hop Nas’s Illmatic would eventually become one of the most critically acclaimed rap projects of all time. But on Sept. 13, 1994, under the brand new label Bad Boy Records, Ready to Die introduced the world to hip-hop’s most recognizable superhero, Biggie Smalls.
Oh hey you — yes you, the hardcore Wisconsin sports fan — I’d like to ruin your day.
As we have all experienced over these six months, the COVID-19 crisis has upended normalcy. From remote working to virtual learning, the loss of healthcare to the loss of loved ones, the coronavirus has forced us all to operate under a new, frightening reality. At the same time, it has brought into crisp focus our society’s greatest inequities and our leaders’ misplaced priorities.
No matter the number of hand sanitizer stations, hybrid classes or Badger Pledges, there is no “Smart Restart” for the University of Wisconsin-Madison.
Madison’s common council passed landmark legislation establishing an independent police monitor and civilian review board with overwhelming public support on Tuesday.
TW: racism, police violence
"What do you mean my writing hasn't sparked immediate social change???" Alphine spewed in a fury of passion.
As the rest of the world lies in waiting for Christopher Nolan’s “Tenet,” I’ve shifted my attention towards another blockbuster coming down the post-COVID pipeline in the next 12-15 months — a familiar figure of comic book lore Nolan himself has successfully and notably tackled before.
As musicians grapple with the past few months that proved to be a pause on their regular scheduled programming, the silence has given them a chance to redefine what it means to interact, or in this case, perform live. Gathering in a sweaty music venue and watching someone perform live is a hard thing to imagine right now. With numbers across the country still going up as thousands of students return to college campuses, a slight return to normalcy serves as a dream. Local music venues are struggling to hold on as their main sources of income are at a halt. Patrons are encouraged to donate and support them in whatever way they can.
Miguel Perez is a 20-year-old Wisconsin resident and student at the University of Minnesota pursuing a liberal arts degree. In his free time, Perez enjoys drawing, hiking and visiting his hometown.
You have a lot of big dreams. Maybe you’re planning a wedding, starting a family, working towards no debt, or getting ready to open your own business. Whatever you’re planning, the truth is, you probably need money to make your dreams a reality. And while you make a good salary, it’s never a bad idea to try and put a little extra cash in the bank. This is where earning supplemental income can change your life.
As our COVID-riddled state rolls back openings and braces for whatever the months ahead hold, these past few weeks of “Summer: Live from Wisconsin Quarantine!” have started to feel like they’re simply repeating the same events every single day. Over and over — and over again.
UW-Madison students, including some indoors behind closed windows, endured symptoms of tear gas exposure and witnessed destruction as demonstrators took to State Street last Saturday to protest the killing of George Floyd, a Black man, by a white police officer in Minneapolis on the previous Monday.
Thousands turned out for the peaceful protest for Black Lives Matter in Madison Saturday afternoon, but it ended with hundreds looting local businesses with the remnants of tear gas in their eyes.
UW-Madison students come from all walks of life. A classroom on campus is bound to feature students with different interests, socioeconomic backgrounds, races, ethnicities or levels of college preparedness — and the list goes on.
There have been countless reviews praising Fiona Apple’s newest album, Fetch The Bolt Cutters, and this is going to be another one, because yes… it is that good. But also because this album makes us reflect on Fiona Apple’s past relationship with the music industry, a relationship that merits some examination.
Religion provides many with faith and a source of community throughout life — especially in unprecedented times, some individuals turn to religion to develop a deeper understanding or a sense of guidance.
Lately we’ve seen the release of several films that explore the issue of wealth inequality and class difference, South Korea’s “Parasite” and “Burning” especially coming to mind. While a fascinating narrative to pursue, it seems as if too many films are reusing the same themes and believing that as long as a social theme is centered around the story, that it makes it profound.
Solutions by The State News
