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(02/12/19 1:00pm)
Although Melissa McCarthy is best known for her unfiltered, aggressive and outright hilarious performances (“Bridesmaids”, “The Heat”), it’s clearly evident that this comedic genius is quite capable of tackling dramatic, darkly comedic roles as well. Such is the case in “Can You Ever Forgive Me?” from director Marielle Heller, a rather different kind of film that can best be described as pleasantly enjoyable.
(02/12/19 1:00pm)
Is it possible to stare too hard at something?
(02/07/19 2:00pm)
Though some may find the show’s premise and gimmick a bit stale by this point, “The Good Place” has remained one of the biggest sitcoms currently on air. Having just completed its third season, the show proves that it is still a comedy worth watching, and season three may be the funniest yet.
(02/07/19 2:00pm)
In light of #MeToo and all that happened over the course of 2018, it is refreshing to see the Recording Academy acknowledge and highlight the work of deserving women artists more than it has in past years. With that being said, the Grammys still tend to favor mainstream and “safe” choices, as they again proved last year. The Grammys have a longstanding history of snubbing deserving acts and ignoring some of music’s most talented in favor of music’s most well-known.
(02/06/19 2:00pm)
<iframe src="https://open.spotify.com/embed/album/7f6xPqyaolTiziKf5R5Z0c" width="300" height="380" frameborder="0" allowtransparency="true" allow="encrypted-media"></iframe>For the last episode of the investigation into the nominees for Album of the Year, we look at the
last three nominees, all of whom are enjoying their first nominations in the iconic category.
(02/06/19 2:00pm)
*This article is full of spoilers, please do not continue if you are not caught up with the show!*
(02/05/19 1:00pm)
“Resident Evil 2” made a lot of waves back in 1998, but looking back at it now, it’s hard to believe anyone was scared by it. Don’t get me wrong, it still has its charm, and if testimonials are anything to go off of, there were plenty of kids and young adults who were outright traumatized by it in its heyday. But even by the standards of its contemporaries, there’s a lot of shortcomings in the original “Resident Evil 2.”
(02/05/19 1:00pm)
In this installment of the Grammys series, we’re looking at two more of the eight nominees for the coveted Album of the Year award. In particular, these two are the longest albums of the bunch, with Scorpion by Drake and H.E.R.’s self-titled debut album clocking in just under 90 and 72 minutes, respectively. While both albums have triumphs, their longer run times do more harm than good.
(02/05/19 12:28am)
On Thursday, Jan. 31, Madison was on the back end of the worst week of cold weather that many of us have ever seen. Residents were told to stay inside, turn up the heat and not leave unless it was necessary. Surely, no one would be in the mood to celebrate just yet with temperatures well below zero and snow falling steadily, right? Well, Madison’s music and concert scene didn’t seem phased one bit.
(01/31/19 7:00pm)
For most Midwesterners, the Great Lakes frequently serve as a backdrop for outdoor adventure-- frigid, clear and impossibly vast, this freshwater system is a central source for recreation, commerce and much more. Individuals and businesses across the continent depend on these lakes, and in the past century, this dependency has been reflected in a changing ecology that is taking place on a level that many Americans remain unaware of.
(01/31/19 7:00pm)
Eventually, I wonder, if rapper Noname will change her stage name to just Name, something that hints at the name she’s made for herself in the last few years of her career.
(01/30/19 2:00pm)
On Feb. 10, this year’s edition of “music’s biggest night” will feature dozens of the most popular names in the industry congregated in one place: the 61st Annual Grammy Awards. As the Recording Academy attempts to keep up with the changes in society at large, they have asserted some implicit and explicit changes within the past few years.
(01/30/19 2:00pm)
Biopics are hit or a miss, occasionally being something fresh and new, while most of the time being a regurgitation of film history. Damien Chazelle’s (“Whiplash”, “La La Land”) “First Man” sadly fails to be something new, instead falling in line with other Hollywood true stories about an important historical figure.
(01/24/19 2:00pm)
The Academy got many of the categories wrong this year, honoring the wrong films for the wrong nominations. Several of this year's best films were completely or almost completely ignored. The Oscars chose to focus on decent or generally pleasing films instead of the more thought-provoking or daring works of art that remained oblivious to mainstream audiences. Here are the biggest snubs:
(01/24/19 2:00pm)
Netflix starts off its 2019 lineup strong with its new show "Sex Education," an engaging British comedy that presents a thoughtful look at students as they deal with the social pressures of sex in their lives.
(01/23/19 2:00pm)
The 2019 Academy Award nominations were announced yesterday morning in Los Angeles. A wider range of selections in genres highlights the list of nominees.
(01/22/19 2:00pm)
In 2017, festival goers from across America were excited at the prospects of a brand-new event to attend which promised to be unlike anything to come before it. A private island in the Bahamas, gorgeous women, world class musical performances, and lots of booze. What more could you want? It seemed too good to be true… and it was.
(01/22/19 2:00pm)
It’s the early eighteenth century and Great Britain is at war with France. An unstable Queen Anne (Olivia Colman) holds the throne in England; her trusted friend Lady Sarah (Rachel Weisz) governing for her while the queen deals with an injury. Along comes young Abigail (Emma Stone) – Sarah’s cousin – who works in service for the queen and soon forms a close bond with her, infuriating a jealous Sarah and triggering a tense conflict between the two women over the queen’s attention.
(01/22/19 2:00pm)
10. The Favourite
(01/20/19 2:00pm)
Filmmaker Barry Jenkins received both critical acclaim and numerous awards including Best Picture at the Academy Awards for his 2016 film “Moonlight," an intimate and poetic exploration of one man’s alienation and struggle in a society he feels drowned in. Jenkins’ next film follows a completely different style, yet a similar theme. Based on the 1974 novel by James Baldwin, “If Beale Street Could Talk” has its heart in the right place the entire time, overall achieving what it sets out to do, yet struggles to execute its mission to its best ability.