Summer Arts Preview: Films
By Jake Skubish | May. 1, 2017It’s easy to re-watch Netflix series you’ve already seen nine times during the summer. But movie theaters are dying, and there are lots of great features coming out this year.
It’s easy to re-watch Netflix series you’ve already seen nine times during the summer. But movie theaters are dying, and there are lots of great features coming out this year.
In “The Fast and The Furious” (2001), a dreamy undercover cop named Brian O’Conner (Paul Walker) tries to infiltrate a crew of Los Angeles street racers.
In the first episode of Rock With the Flock, The Daily Cardinal arts staff discusses the latest movie trailers, "13 Reasons Why" and upcoming films. To listen on SoundCloud, click here. Thor: Ragnarok (0:37) War for the Planet of the Apes (6:27) IT (8:15) 13 Reasons Why (12:05) The Fate of the Furious (25:32) The Circle (29:34) Guardians of the Galaxy 2 (33:20)
For most people, the categories of ‘male’ and ‘female’ are taken as undeniably natural divisions. But a new film from four UW-Madison students, which will be showcased at the Chazen Art Museum this evening, is looking to challenge the notion that men have to put on a ‘masculine’ front.
The 19th annual Wisconsin Film Fest brought movie lovers from across the state together in the heart of Madison to watch some of the quirkiest and unique films from all over the world.
Surely you’ve seen, or at least heard of, David Zucker’s movies. The 1971 UW-Madison alumnus is a giant in the film industry. He directed “Airplane!” and “The Naked Gun,” and helped start the careers of South Park creators Matt Stone and Trey Parker as well as “Dumb and Dumber” directors Peter and Bobby Farrelly. In town for a campus tour with his son, I sat down with Zucker to talk about his time at UW-Madison and everything that followed.
SXSW finished its film festival with the star-studded space thriller, “Life.” The film begins with a team of astronauts, lead by Ryan Reynolds, Jake Gyllenhaal and Rebecca Ferguson, planning to return to earth after collecting samples from Mars that may contain the first signs of extraterrestrial life.
The final premiere I attended at SXSW ended on a high note with “The Big Sick.” Directed by Michael Showalter and produced by Judd Apatow, the rom-com depicts the real-life love story between Kumail Nanjiani, a comedian who comes from a traditional, Muslim Pakistani family, and Emily Gordon, a therapist who meets Kumail at one of his shows.
Director Dustin Guy Defa screened his film, “Person to Person,” a feature-length based on his short film of the same name. The film follows five characters throughout the course of a day, exploring questions of occupation, relationships and death, starring Abbi Jacobson, Michael Cera and Tavi Gevinson.
Six years after his film “Kill List” premiered here, director Ben Wheatley returns to SXSW with his film “Free Fire.” The film focuses on a group of criminals who meet to broker a gun sale in a large warehouse.
Fresh off the successes of “Rogue One: A Star Wars Story,” director Gareth Edwards hosted a SXSW keynote to discuss how he got his start in filmmaking.
Lee Daniels, director of “Monster’s Ball,” “Precious” and “The Butler,” as well as co-creator of Fox’s hit television series, ”Empire,” gave an inspiring, personal keynote on Sunday.
Sunday night kicked off with “Atomic Blonde,” a film based on the graphic novel, “The Coldest City.” Set in Berlin before the collapse of the Berlin Wall, the film stars Charlize Theron as Lorraine Broughton, an MI6 agent who teams up with Berlin spy David Percival, played by James McAvoy, to take down a group of spies who assassinated an undercover agent.
Netflix’s “Win It All” is a small film with a simple premise and a surprisingly large amount of charm.
Film festivals are useful venues for independent filmmaking. Among the lineup was “Small Town Crime,” directed by brothers Eshom and Ian Nelms.
Passion is truly the name of the game here at SXSW. Every filmmaker, well-known or not, poured heart and soul into these productions, and that couldn’t be more evident when Edgar Wright premiered his new film, “Baby Driver,” at the Paramount Theatre.
For all the praise this year’s Oscars field garnered for being diverse and inclusive, the awards show still featured a familiar shortcoming: zero women nominated for Best Director. This isn’t unusual: in 85 of the show’s 89 ceremonies, the category has been all male, and only four females have ever been nominated (Kathryn Bigelow is the lone winner for “The Hurt Locker”).
South By Southwest officially begins this weekend down in Austin, Texas. With a stacked lineup of artists, keynote speakers, films and television shows, SXSW is gearing up to be an amazing festival. The Daily Cardinal Arts staff will be flying down to cover the event, and here’s what they are most looking forward to:
Orientation and move-in day are just around the corner for the newest batch of Badgers at UW-Madison!
The beginning of the year brings movies to the forefront of conversation. It invites fans and critics alike to reflect on the best movies of 2015 while looking forward to the new films in 2016.