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12/09/2009 - Angel Hair Pasta
12/08/2009 - Angel Hair Pasta
12/07/2009 - Angel Hair Pasta
12/04/2009 - Angel Hair Pasta
12/03/2009 - Angel Hair Pasta
Mo'Nique gives 'Precious' performance
Abject poverty. Two pregnancies by the age of 16. A physically and emotionally violent mother. These are barely half the troubles Clareece ""Precious"" Jones faces, the titular character of ""Precious: Based on the Novel Push by Sapphire."" When touching on topics such as these, the easy thing for director Lee Daniels to do would have been to turn ""Precious"" into a hyperbolic tale of woe—and actually, Daniels does turn much of the film into just that. But thankfully, once Daniels grounds the film and allows the powerhouse performances to shine, ""Precious"" offers enough redemption to make it a film worthy of the buzz it has gathered.
12/02/2009 - Angel Hair Pasta
Watching our language
Racist. There has been a bit of a stir on the Daily Cardinal opinion page recently regarding that word, as well as its relation to a column written by Andrew Carpenter. I won't address the merits of Carpenter's argument, I'm sure he can explain himself a lot better than I can. But there was one aspect of the criticism his article received that continued an all-too-common trend I've seen on campus. It seemed that the natural, gut response from most readers was to call Carpenter a racist.
11/30/2009 - Angel Hair Pasta
12/01/2009 - Angel Hair Pasta
11/24/2009 - Angel Hair Pasta
11/20/2009 - Angel Hair Pasta
Other route necessary to secure CWC funding
The Campus Women's Center has been on a bit of an odyssey of late. Ever since they were denied eligibility for General Student Service Funds (better known as that pool of money where a couple bucks of your segregated fees go every semester), the CWC has gone through a seemingly endless series of appeals and hearings in an attempt to gain funding for the 2010-'11 school year.
11/17/2009 - Angel Hair Pasta
11/16/2009 - Angel Hair Pasta
'2012' a fun disaster
In just over a week it will be Thanksgiving, the beginning of the holiday season that ignites a festive spirit of togetherness in all of us. Families will reunite, celebrate their kin and enjoy each other's company. Obviously, there is no better way to kick off this joyous time than with a new apocalyptic disaster film, which director Roland Emmerich saw fit to provide in his latest offering of global suffering, ""2012.""