If you’ve been around me in the past year, I’m sure I’ve brought up “Search Party” at some point during our conversations. It was my favorite show of last year, and arguably one of my favorite shows of all time. Season one was full of mystery and twists with a cast that seemed to be made for one another, and season two is keeping the momentum going.
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‘Rat Queens’ entertains with laugh-out-loud dialogue, ‘Bone’ takes a fresh spin on the coming-of-age genre
With the new “Marvel: Infinity War” trailer out this week, new seasons of superhero shows like “Agents of Shield,” “Runaways” and new episodes of “The Gifted,” I’m just trying to hide somewhere dark and deep where the Marvel Universe hasn’t pried its grubby little fingers yet. It’s not that I dislike Marvel; I just like to breathe the fresh air on occasion, so, let’s lead off with a suggestion from an entirely different angle.
As the year approaches its finale, we’re thrown into a blitzkrieg of artists releasing highly anticipated — and sometimes unexpected — albums. Björk, Fabolous & Jadakiss and a slew of holiday-themed artists all released projects this weekend.
Upon leaving the theater after viewing “Justice League,” it can be misleading to judge the film based on excitement for its characters or the introduction of humor into the DC universe. However, DC’s first attempt at a large-scale team-up movie fails to bounce back from “Batman v Superman: Dawn of Justice,” the universally panned previous installment in the franchise.
“Star Wars: Battlefront II” is one of the most interesting unintentional tragedies ever put forth in the games medium.
The premature cold breezing through Madison seemed to subside as hip hop artist Noname graced the stage with her warm spunk at the Majestic Theatre on Monday.
In preparing for Greta Gerwig’s directorial debut in “Lady Bird,” I hads a sense of apprehension about the experience I presumed I would have. As industry costs increase and fall to the consumer, it becomes a greater gamble of financial precarity when $15 is the entry fee for the chance of an entertaining film and an enjoyable evening. Naturally, trailers yield the byway method of circumventing our concerns about this very problem, yet often find themselves under heavy critique for their own representation of the film they aim to market. With “Lady Bird,” I found an unfortunate parallel to this issue. However, it seemed to work astoundingly, and in a manner I hadn’t truly expected.
Louis the Child brought energy and positivity to their set at the Orpheum Friday night, with the end result being four hours of exceptional EDM.The first of three opening acts was Party Pupils, a Chicago-based house duo made up of singer Max and producer RyanEXOE.
Jaden Smith’s SYRE explores the boundaries of love, spoken word, the misfits of society in an over-stimulated search for one central narrative
Sometimes it can feel like a storm, gripping something between the stars and sky. In this place, we get lost like Monday morning doubts, shape shift again and never really lose sight of where we see this going.
With reputation, Taylor Swift makes a transformation — one that many huge stars have attempted — into a darker, more serious version of herself. Bruno Mars did it with Unorthodox Jukebox, Michael Jackson scowled on the cover of Bad and Beyonce embraced her sexuality like never before on her self-titled album. Swift, however, had slightly different circumstances
With a Wisconsin accent and growing bread for No-Shave-November, Charlie Berens walked up to the fifth floor of Vilas Hall after sleeping on a plane. The J-School alum and former Daily Cardinal arts writer was in town for the Michigan game and spent the afternoon chatting with current Badgers. In his time away from Madison, Berens moved around a lot, taking risks and networking as a TV-broadcaster in Dallas before transitioning into satire and comedy.
Chicago-based rapper Noname — despite her stage name — clearly made a name for herself in Madison, because she will return to a local stage Monday for the third time within a year.
“Call of Duty: WWII” is a return to the series’ historic setting and “boots on the ground” gameplay. In some ways it succeeds, but the final product is a jack of all trades rather than a quality experience throughout.
Last Friday, Amazon released three new shows as a part of their biannual pilot season program. The way the pilot season works is they release a bunch of pilot episodes for new shows, after which the viewers are able to rate and review them. The ones with the best ratings get picked up for a series order. This winter, they released three new pilots — “I Love You More,” “Sea Oak” and “The Climb” — showing a push for female representation both on and off the camera.
This week, let's focus on outcasts. Everybody loves a good comeback story, rooting for the underdogs, David over Goliath, etc.
Petit Biscuit released his debut album, Presence, this past Friday. Though he is most known for his song “Sunset Lover,” which boasts over 226 million plays on Spotify, Petit Biscuit displays an advanced sound on his new album, which features 14 tracks — almost entirely new releases. With collaborations from fellow producers Lido, SONIA and Bipolar Sunshine, Presence offers a creative mix of electronic melodies from all the featured artists.
Over the weekend, Jidenna dropped a surprise EP titled Boomerang. Some may remember the billboard-charting, electro R&B hit, “Classic Man” from 2015. Since then, Jidenna has pushed out some great work and performed at a slew of festivals, including this past summer’s Lollapalooza in Chicago. Fans of the Netflix show Luke Cage will likely remember Jidenna’s appearance with his stellar performance of the melodic single, “Long Live The Chief.”
Every Thursday night at 11 p.m., a slew of new albums pop up on music streaming services on phones across the country.
It is quite rare to see a film franchise completely reinvigorate a character without disappointing fans of the original.
Kamasi Washington, a California based jazz saxophonist and composer, and his phenomenal band enchanted Madison with a beautiful performance of classic jazz woven into an aura of experimentation and spirituality.