Ketchup has its mustard, Han Solo has his Chewbacca and, more relevantly, John Clay had his Montee Ball and James White.
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Last week, Mos Def released a series of videos via FACT Magazine of him covering various MF Doom songs. With each successive video, a hooded figure revealed more and more of his face until the final video, when he finally unmasks himself as the Grammy-nominated emcee. The mask imagery is a clear homage to MF Doom’s iconic mask that few have seen him without. More of a tribute than a proper cover, Mos Def rapped several of MF Doom’s songs, using the same lyrics and the original beats.
I’m not a sports fan. I never have been and I probably never will be. Not for lack of trying though because I tried for half of my life to either excel at some sport or really fall in love with one. I couldn’t do either and never do I feel that loss more as when I witness the love and devotion for a sport by thousands, if not millions of people during sporting events.
The amount of time it takes to read this sentence out loud could save college basketball.
March Madness is in full swing, but I’m not talking about the NCAA tournament, I’m talking about the race for the NBA playoffs.
Seemingly every year that it’s been on the air, “Community” has been moved, cancelled or resurrected. In fact, it’s happened so often that we “Community” fans have even created a hashtag (#sixseasonsandamoive) to express our exasperation with the show’s fluctuating status, the latest example its resurrection at the hands of Yahoo Screen, which prompted thousands to young Americans to ask whether or not Yahoo was still a thing.
It seems super easy to compare the latest Russian cinematic masterpiece, Andrey Zvyagintsev’s “Leviathan,” to the great literary works of Fyodor Dostoevsky or Leo Tolstoy; just look at the number of reviews that described the film as being “novelistic.” And to be fair, the comparison (especially to Dostoevsky) isn’t entirely ungrounded. The film shares its breathtaking scope (and runtime), band of fully realized and psychologically complex characters, questions of suicide/existence and overt, proud references to the Bible with the likes of “The Brothers Karamazov” and “The Idiot.” Plus the film’s wordless, eye-opening passages rank with the most awe-inspiring moments of prose in any language.
Alright. It’s here. Every year Revelry Music and Arts Festival becomes bigger and bigger. This year there’s expected to be around 10,000 students mobbing the streets of Langdon to watch the festival, and the new lineup is sure to make those projected numbers become reality. So enough squabbling, let’s dive right into this lineup and see just how big this year’s Revelry is going to be.
This week I’ve decided to count down my top five favorite artsy Twitter accounts that if you aren’t already following you should.Twitter is my favorite social media site. That said, it was hard for me to keep it to five. I could write a dissertation on what things I like on Twitter. I also struggled because a lot of the accounts I follow on Twitter are funny to me because as a female the tweets are relatable. However I want my column to be readable and useful to both genders and everyone in between. These accounts I picked are mostly funny, but some are inspirational or just generally useful to brighten up your day and diversify your timeline.
Will Forte’s new sitcom, “The Last Man on Earth,” focuses on the new, post-apocalyptic life of Phil Miller, the last living man on Earth, as he attempts to survive and thrive in his new surroundings. It’s also one of the best new shows on television this spring. Will Forte is a comedic mastermind, and unhinging him to do all of the things we would do if we were trapped in the world alone is solid gold. However, it’s not just Forte that makes the show great; everything from setting to script conspires and aspires to make “The Last Man on Earth” worthy of praise.
Brian Urlacher, Patrick Willis and Ray Lewis. When you think of the great middle linebackers of our era, those three come to mind. They were game-changing players who are headed to the hall of fame.
Like most everything else, television is all about relationships. From “The Sopranos” to “Community,” all great shows use personal relationships as a fulcrum to lift up the rest of the plot around them. However, when shows (especially dramas) forgot about the world outside of a marriage or a friendship, when things turn inward just a little bit too much, your show starts to suck.
We have a problem regarding how we understand history in movies. Our criterion seems to be “objectivity at any cost,” so that any liberty being taken with the actual, concrete “event” disqualifies it from laying claim to being based on actuality. This misunderstands both film and history—two things that I care a lot about—because it acts like either/both of them are anything other than narratives that are designed to impart certain ideas. In the same way history books don’t read as dry lists of objectively presented facts, films that use history as material do not need to strictly adhere to some pseudo-omniscient objectivity of what “really happened” that distances us from the past, and acts like it isn’t part of a complicated, ongoing story.
It’s still the part of March where Midwesterners mistake 40 degrees for sandal weather, and already 2015 has proven itself to be a massive year for hip-hop. There have been huge releases from rap giants like Drake and Kendrick, plus many promising drops from up-and-comers like Action Bronson and Vic Mensa. But the most recent hip-hop development that has me over the moon is Kanye West single-handedly bringing grime music into the mainstream spotlight.
For much of the season, eight teams—Kentucky, Duke, Virginia, Arizona, Wisconsin, Villanova, Kansas and Gonzaga—have dominated the NCAA men’s basketball polls and storylines. These teams have combined for just 22 total losses, with Kansas owning seven of those against the nation’s toughest schedule.
Nine games after the NBA trade deadline, it would be easy to criticize the Bucks’ deal that sent leading scorer Brandon Knight to Phoenix in a three-team swap.